1
00:02:21,647 --> 00:02:24,226
Paroxysm
2
00:02:26,126 --> 00:02:28,817
of eroticism
3
00:02:30,300 --> 00:02:33,180
Paroxysm
4
00:02:34,805 --> 00:02:38,278
of exoticism
5
00:02:38,386 --> 00:02:42,823
Eternal lesson of seduction
6
00:02:46,846 --> 00:02:51,418
Eternal lesson of seduction
7
00:02:55,441 --> 00:03:00,453
Eternal pleasure of loving desire
8
00:03:05,479 --> 00:03:07,442
Seduction
9
00:03:08,998 --> 00:03:10,918
Seduction
10
00:04:39,584 --> 00:04:43,084
"Ban Girl" is what they call me
When I pass,
11
00:04:43,192 --> 00:04:46,817
all those guys whistling,
looking at my ass
12
00:04:46,984 --> 00:04:49,542
�I've had enough!
13
00:04:50,126 --> 00:04:53,834
�Why can't they leave alone?
to a girl just for who she is?
14
00:04:54,001 --> 00:04:55,751
There is always a dodo there
15
00:04:55,917 --> 00:04:57,584
that blocks my way
with his hard look,
16
00:04:57,751 --> 00:04:59,832
I know my buns are cute,
17
00:04:59,889 --> 00:05:01,667
�but it's not fair!
18
00:05:02,084 --> 00:05:05,626
Dear lord, please,
remove your hand.
19
00:05:05,917 --> 00:05:09,459
No, in fact,
I think it's not your day.
20
00:05:09,751 --> 00:05:13,292
You're just wasting
my precious time.
21
00:05:13,751 --> 00:05:17,126
Guys like you�
They are not worth a cent.
22
00:05:17,417 --> 00:05:19,084
Step aside and let me,
23
00:05:19,251 --> 00:05:21,167
or I'll give you a black eye,
24
00:05:21,334 --> 00:05:25,167
You're just not my type,
and heaven, that's how it is.
25
00:05:25,459 --> 00:05:28,792
"Ban Girl" is what they call me
When I pass,
26
00:05:28,959 --> 00:05:32,626
all those guys whistling,
looking at my ass.
27
00:05:32,792 --> 00:05:35,292
�I've had enough!
28
00:05:35,959 --> 00:05:39,626
�Why can't they leave alone?
to a girl just for who she is?
29
00:05:39,709 --> 00:05:41,542
There is always a dodo there
30
00:05:41,709 --> 00:05:43,459
that blocks my way
with his hard look.
31
00:05:43,584 --> 00:05:45,604
I know my buns are cute,
32
00:05:45,684 --> 00:05:47,542
�but it's not fair!
33
00:06:26,984 --> 00:06:28,545
Open...
34
00:06:28,724 --> 00:06:30,025
Open...
35
00:06:30,120 --> 00:06:35,876
Oh, open, open your door.
36
00:06:36,209 --> 00:06:39,584
I have to see you.
37
00:06:40,292 --> 00:06:44,626
I must talk to you,
38
00:06:44,876 --> 00:06:49,959
excuse my boldness,
but the door...
39
00:07:22,834 --> 00:07:26,350
Open...
40
00:07:26,431 --> 00:07:31,292
Open, open your door.
41
00:07:31,876 --> 00:07:34,917
I have to see you.
42
00:07:35,709 --> 00:07:39,834
I must talk to you,
43
00:07:40,126 --> 00:07:45,501
excuse my boldness,
but the door...
44
00:08:45,442 --> 00:08:47,084
Open...
45
00:08:47,334 --> 00:08:48,667
Open...
46
00:08:48,876 --> 00:08:55,542
Oh, open, open...
your legs, honey,
47
00:08:55,667 --> 00:09:01,334
excuse me, oh my boldness,
48
00:09:01,834 --> 00:09:07,826
open your legs, come on,
open your legs.
49
00:09:09,709 --> 00:09:14,584
Come on, open up!
Open your legs!
50
00:09:15,626 --> 00:09:18,709
�You have to open your legs
for me, darling!
51
00:09:19,276 --> 00:09:20,959
�Open your legs!
52
00:09:46,792 --> 00:09:52,984
We are the Crazy girls,
53
00:09:54,209 --> 00:10:00,551
we sing and dance
kind of funky.
54
00:10:01,317 --> 00:10:05,126
You might think
that we are somewhat naughty,
55
00:10:05,251 --> 00:10:11,192
please don't do this
a wrong idea.
56
00:10:20,084 --> 00:10:26,451
Any man
with a lot of money,
57
00:10:27,517 --> 00:10:33,692
diamonds and rubies,
It's delicious.
58
00:10:34,792 --> 00:10:38,084
If you want to be happy,
59
00:10:38,417 --> 00:10:42,167
if you want to be in Paris,
60
00:10:42,376 --> 00:10:48,542
come to the Crazy Horse salon.
61
00:10:56,702 --> 00:10:57,709
- Hello.
-How are you?
62
00:10:57,831 --> 00:10:59,399
- Well, what about you?
- Good.
63
00:11:05,660 --> 00:11:07,969
Who is that guy over there?
64
00:11:34,329 --> 00:11:35,267
It's Volga!
65
00:11:35,363 --> 00:11:38,615
- That's the Crazy Horse.
- Do you want to play the shadow movie?
66
00:11:39,213 --> 00:11:40,716
The shadow movie.
67
00:11:41,570 --> 00:11:43,450
What is the name of the movie?
68
00:11:43,874 --> 00:11:45,629
You called her "Bernardine"
recently.
69
00:11:45,722 --> 00:11:49,137
Yes, that works.
Would you mind opening the curtain?
70
00:11:51,676 --> 00:11:53,204
I love the clapperboard.
71
00:12:15,352 --> 00:12:17,429
�You can turn off the spotlights,
please?
72
00:12:27,266 --> 00:12:30,289
That is.
Arch it, arch it...
73
00:12:31,551 --> 00:12:33,410
Throw the body further forward.
74
00:12:34,181 --> 00:12:37,295
That's it, arch it...
75
00:12:44,550 --> 00:12:47,642
How much time do we have?
Two hours?
76
00:12:48,700 --> 00:12:50,471
Koko, Lumina, Zula...
77
00:12:56,242 --> 00:12:57,705
Let's do that again.
78
00:14:09,424 --> 00:14:13,979
Stretch, fold,
stretch, fold...
79
00:14:35,976 --> 00:14:38,219
Thanks, girls.
You can go back to the dressing room.
80
00:14:38,315 --> 00:14:40,872
- Take a shower.
- Two, even.
81
00:14:40,974 --> 00:14:41,742
Are you listening?
82
00:14:41,791 --> 00:14:46,419
You can't touch the mirror strip
on the network side.
83
00:14:47,258 --> 00:14:49,665
We are going to need
see some lights.
84
00:14:49,712 --> 00:14:52,326
Can you come down here please?
85
00:14:55,172 --> 00:14:58,344
Should A, B, C and D be in the center?
86
00:15:00,691 --> 00:15:01,454
Yes.
87
00:15:02,209 --> 00:15:06,119
Is the curtain centered?
It may not be perfectly centered.
88
00:15:07,523 --> 00:15:09,386
Is it perfectly centered?
89
00:15:10,641 --> 00:15:13,312
That's what we said,
you'll have to end it that way.
90
00:15:16,585 --> 00:15:18,069
Then you go up...
91
00:15:19,085 --> 00:15:20,539
And you make a turn.
92
00:15:21,520 --> 00:15:23,096
That is.
93
00:15:24,513 --> 00:15:26,125
Now I pull your skirt.
94
00:15:27,260 --> 00:15:29,031
You slip...
95
00:15:30,233 --> 00:15:32,595
You slide into this position.
96
00:15:33,463 --> 00:15:35,548
First I turn around like this...
97
00:15:37,258 --> 00:15:40,040
I don't feel sensual with that.
98
00:15:40,725 --> 00:15:42,537
But frankly...
99
00:15:42,890 --> 00:15:44,012
And then...
100
00:15:45,508 --> 00:15:48,632
Maybe I can help you like this...
101
00:15:49,595 --> 00:15:53,961
You hold on and make a
undulating movement.
102
00:15:56,688 --> 00:15:57,865
And again.
103
00:15:58,728 --> 00:16:02,564
The same thing.
My body against yours.
104
00:16:03,679 --> 00:16:07,727
I make a gesture, and you leave.
Like this.
105
00:16:08,028 --> 00:16:11,219
I usually do something like this.
106
00:16:30,345 --> 00:16:34,434
Then, arms behind with the music.
107
00:16:34,816 --> 00:16:36,922
We return with a broader movement...
108
00:16:37,330 --> 00:16:39,851
And there, one more time and we're gone.
109
00:16:40,278 --> 00:16:43,306
Go ahead, put your hand.
110
00:16:46,790 --> 00:16:48,342
Do you have it?
Do you want to try it?
111
00:16:48,389 --> 00:16:50,313
Lada paused.
112
00:16:58,096 --> 00:17:00,807
Well, Zula, eyes closed,
They are super good.
113
00:17:01,524 --> 00:17:05,167
That's a good idea,
as in a state of abandonment.
114
00:17:10,051 --> 00:17:12,275
And you change position...
115
00:17:21,413 --> 00:17:22,526
Three...
116
00:17:26,118 --> 00:17:27,204
Four...
117
00:17:28,598 --> 00:17:30,605
Be careful now,
with meaning...
118
00:17:30,656 --> 00:17:31,827
One!
119
00:17:33,050 --> 00:17:34,057
Three...
120
00:17:35,035 --> 00:17:38,620
It's hot, now you go
to open the helmet...
121
00:17:39,771 --> 00:17:45,435
Three, two, three, four...
122
00:17:47,006 --> 00:17:48,472
You get up slowly.
123
00:17:50,199 --> 00:17:54,390
You are still very hot.
So hot you have to get up.
124
00:18:03,246 --> 00:18:05,038
Attention, enter Lumina.
125
00:18:34,083 --> 00:18:35,843
You go to the window.
126
00:18:37,644 --> 00:18:39,859
And you go to the window, Lumina.
127
00:18:45,735 --> 00:18:47,371
You look at each other.
128
00:18:57,791 --> 00:18:59,398
And it changes again...
129
00:19:00,489 --> 00:19:04,829
And you leave the window...
And you appear on the other side.
130
00:19:10,487 --> 00:19:11,931
First contact.
131
00:19:13,774 --> 00:19:16,589
That's it!
Second contact.
132
00:19:18,215 --> 00:19:20,055
You are going to make contact
in front of the window.
133
00:19:20,121 --> 00:19:23,934
Lumina, you are too far ahead,
and Zula, too far behind.
134
00:19:24,039 --> 00:19:25,652
Back in front of the window.
135
00:19:26,123 --> 00:19:28,493
Get off the conveyor belt...
136
00:19:30,802 --> 00:19:31,956
And kiss you.
137
00:19:36,651 --> 00:19:37,870
On your knees...
138
00:19:53,663 --> 00:19:54,890
Arched.
139
00:19:56,729 --> 00:19:57,933
Lower your buttocks.
140
00:20:05,577 --> 00:20:06,821
And now move forward.
141
00:20:10,729 --> 00:20:12,157
That is.
142
00:20:18,620 --> 00:20:20,226
Come closer...
143
00:20:28,921 --> 00:20:30,720
Al�jala...
144
00:20:40,388 --> 00:20:42,514
Now together again.
145
00:20:43,838 --> 00:20:48,903
Now you can do something
to finish.
146
00:20:57,600 --> 00:20:59,719
The approach must be improved.
147
00:21:00,315 --> 00:21:02,559
- That scares me!
- It's okay.
148
00:21:06,517 --> 00:21:09,404
We have to turn off the lights
scene, please.
149
00:21:10,622 --> 00:21:14,356
Girls, change places.
You, the three new ones.
150
00:21:19,588 --> 00:21:22,033
Stay together.
151
00:21:22,217 --> 00:21:24,773
Try to feel each other.
152
00:21:55,085 --> 00:21:57,712
Yasna, you're doing right right,
but not so much to the left.
153
00:22:04,631 --> 00:22:06,773
Arch your hand a little, Yasna.
154
00:22:07,335 --> 00:22:13,787
Arch your right hand.
Not too much. Higher up.
155
00:22:16,476 --> 00:22:17,696
Perfect.
156
00:22:24,820 --> 00:22:26,000
Thank you.
157
00:22:33,289 --> 00:22:35,615
The main issue is lighting.
158
00:22:35,711 --> 00:22:41,951
We canceled the "Vestal" to have
more side lighting.
159
00:22:42,137 --> 00:22:46,209
They were all blocked
with the black light for the "Vestal".
160
00:22:46,290 --> 00:22:48,817
Now that we don't have the "Vestal",
we can use them
161
00:22:48,976 --> 00:22:52,275
and change the colors
on the sides.
162
00:22:52,468 --> 00:22:56,575
This job will require...
I'm speaking on your behalf, here...
163
00:22:56,656 --> 00:22:59,587
Let's take this
opportunity to clean the lights,
164
00:22:59,668 --> 00:23:03,096
they have a lot of dust
inside,
165
00:23:03,548 --> 00:23:08,544
and we will have to review
all the lights of the show,
166
00:23:08,608 --> 00:23:10,099
with the girls fully dressed,
167
00:23:10,174 --> 00:23:15,867
to see what there is to
change in the side light.
168
00:23:15,946 --> 00:23:18,594
The side light is what really
gives the definition of the body,
169
00:23:18,641 --> 00:23:20,905
and they are the basic lights
for ballet.
170
00:23:21,126 --> 00:23:25,141
They define the bodies
and they outline them.
171
00:23:25,413 --> 00:23:27,405
We need to take advantage of that.
172
00:23:27,684 --> 00:23:32,045
And this global review
brings me back to my usual demand:
173
00:23:32,365 --> 00:23:37,551
If we could close the place for
a short period; On the other hand we...
174
00:23:38,011 --> 00:23:41,165
Philippe, I'm sorry,
but the answer is no.
175
00:23:41,190 --> 00:23:43,345
- Why?
- We can't.
176
00:23:44,085 --> 00:23:45,296
I would like you to think about it.
177
00:23:45,360 --> 00:23:48,186
It would be good to talk to
Philippe L'Homme.
178
00:23:48,266 --> 00:23:50,733
I know he's going to say no.
179
00:23:50,821 --> 00:23:54,486
If we really want the place
took a big step forward,
180
00:23:54,565 --> 00:23:57,576
when it comes to quality
from the show...
181
00:23:58,004 --> 00:24:01,737
We want to make the best show
of naked dance in the world...
182
00:24:02,567 --> 00:24:05,564
and we are also renewing
all the genre,
183
00:24:05,737 --> 00:24:08,550
then we need
the means to do so.
184
00:24:08,648 --> 00:24:13,362
If we want to have an opening
that intelligent spectators adore,
185
00:24:13,425 --> 00:24:14,941
It's going to have to be like this.
186
00:24:15,054 --> 00:24:18,731
There are things we can't do
without closing for a while.
187
00:24:20,864 --> 00:24:24,269
All I can do is pass it to
the opinion of the shareholders,
188
00:24:24,348 --> 00:24:27,149
which has been the same for a year.
189
00:24:27,234 --> 00:24:31,344
I don't see that there is a way to do it
in a legal sense.
190
00:24:31,598 --> 00:24:35,234
I understand that it would be a problem to pay you
sixty people for nothing.
191
00:24:36,947 --> 00:24:39,668
Some could do something,
how to clean the lights.
192
00:24:39,840 --> 00:24:43,965
But there has to be a solution
that we can find...
193
00:24:44,605 --> 00:24:47,269
There are companies that close and...
194
00:24:47,778 --> 00:24:49,123
They take vacations.
195
00:24:49,283 --> 00:24:52,465
And they're not going bankrupt or anything like that.
It is absolutely feasible.
196
00:24:53,685 --> 00:24:55,770
I don't know, I would like to find
some solution.
197
00:24:55,832 --> 00:24:59,054
I think if we want to have a show
very elegant on September 1
198
00:24:59,134 --> 00:25:01,178
We're going to have to close for a while.
199
00:25:01,228 --> 00:25:04,807
Shareholders will not accept
the idea of closing the business.
200
00:25:04,871 --> 00:25:07,773
The time will come when you will have
to understand.
201
00:25:08,386 --> 00:25:11,889
They have their needs,
but so do we.
202
00:25:11,939 --> 00:25:12,759
I agree.
203
00:25:12,822 --> 00:25:15,475
They want us to do
a quality show...
204
00:25:15,541 --> 00:25:18,686
and that has
certain implications.
205
00:25:19,423 --> 00:25:20,402
How to close.
206
00:25:20,583 --> 00:25:23,477
Otherwise, the quality will suffer.
207
00:25:24,908 --> 00:25:26,649
And I will be the first disappointed.
208
00:25:28,496 --> 00:25:29,292
Me too.
209
00:25:29,369 --> 00:25:31,173
I think it is very important.
210
00:25:31,258 --> 00:25:34,030
I'm not trying to do blackmail,
I just think it's important.
211
00:25:34,246 --> 00:25:40,788
When you see how effective
What is our show "Evolution"...
212
00:25:40,930 --> 00:25:44,408
I mean, they are pieces that we have
been working for years.
213
00:25:44,504 --> 00:25:48,328
It is very inhumane to give ourselves
one or two weeks to do all that.
214
00:25:48,392 --> 00:25:53,374
We have to have the same amount of time
that we had for "Evolution",
215
00:25:53,463 --> 00:25:55,818
We worked on it for years.
216
00:25:55,914 --> 00:26:00,580
I can put all my effort,
all my talent in that,
217
00:26:00,644 --> 00:26:05,868
but I would still be wrong in some
things and we have to work on them.
218
00:26:05,932 --> 00:26:07,067
I agree, but...
219
00:26:07,148 --> 00:26:11,767
I can't produce three
new blind pieces.
220
00:26:11,991 --> 00:26:16,580
The ending is also very important,
and we need a new one...
221
00:26:16,793 --> 00:26:19,771
Well, give me an estimate
how much time you will need.
222
00:26:21,129 --> 00:26:22,927
The end, at the end of July.
223
00:26:23,007 --> 00:26:26,203
I have asked for more time
three times already.
224
00:26:26,282 --> 00:26:28,254
I'm under a lot of pressure.
225
00:26:28,753 --> 00:26:30,579
I always try to get more...
226
00:26:30,676 --> 00:26:33,740
We have to think about
what it means to create this.
227
00:26:33,836 --> 00:26:35,964
I agree, but...
228
00:26:36,744 --> 00:26:39,004
If we are going to have a new ending,
229
00:26:39,101 --> 00:26:42,685
and we can fix the transitions,
230
00:26:43,068 --> 00:26:47,030
we would have a whole new show.
Don't you agree?
231
00:26:47,110 --> 00:26:52,001
We would have four or five old numbers
instead of three,
232
00:26:52,660 --> 00:26:56,523
but the general spirit of it all
the show would change.
233
00:26:56,651 --> 00:27:00,476
If we change the interludes
and the overall sequence...
234
00:27:00,572 --> 00:27:04,594
I agree with you,
but the shareholders do not.
235
00:27:04,658 --> 00:27:07,903
They have said that they only want
see three of the old numbers.
236
00:27:07,945 --> 00:27:10,332
- I can explain it to them.
- OK.
237
00:27:10,412 --> 00:27:12,152
I can't say more.
238
00:27:12,217 --> 00:27:15,913
They constantly say
that this was not what they agreed to.
239
00:27:15,993 --> 00:27:19,346
Creativity is not something that
can exist in a controlled environment.
240
00:27:19,651 --> 00:27:22,702
I know they think
in commercial terms,
241
00:27:22,781 --> 00:27:25,816
but still... this is art.
242
00:27:26,193 --> 00:27:27,746
It's like they asked for a painting
243
00:27:27,809 --> 00:27:31,341
where there is a sun here
and some cows here,
244
00:27:31,405 --> 00:27:39,236
and they would like the cows somewhere else.
It's art! You can't do that!
245
00:27:39,384 --> 00:27:42,850
Maybe it would be good if you were
to defend your position.
246
00:27:44,419 --> 00:27:47,321
But I am completely
agree with you.
247
00:27:47,724 --> 00:27:50,037
�Then let's make a program
for the whole summer?
248
00:27:50,066 --> 00:27:52,243
I also want to do "Venus."
249
00:27:53,188 --> 00:27:56,780
- What happened to that number?
- I already told you, didn't I?
250
00:27:56,838 --> 00:28:00,732
It has happened several times that
The girls left the stage crying.
251
00:28:00,977 --> 00:28:02,717
Because they don't like touching each other.
252
00:28:03,141 --> 00:28:04,334
They don't like touching each other.
253
00:28:04,400 --> 00:28:08,396
There is a very strange culture here,
really.
254
00:28:08,892 --> 00:28:11,228
Contrary to what it might seem,
They are not sluts...
255
00:28:11,291 --> 00:28:14,794
and they don't like touching each other...
256
00:28:17,523 --> 00:28:19,379
They really are quite prudish.
257
00:28:19,707 --> 00:28:22,306
When we ask them to come closer
more to each other,
258
00:28:22,386 --> 00:28:26,761
It's like they crash into
an invisible wall.
259
00:28:27,271 --> 00:28:30,094
They cannot go beyond a certain point.
260
00:28:30,141 --> 00:28:31,692
What if it is done alone?
261
00:28:31,699 --> 00:28:33,168
It's hard to play dumb.
262
00:28:33,248 --> 00:28:36,816
There really aren't many that are
able to do it.
263
00:28:37,401 --> 00:28:39,331
We would need to work
in that number,
264
00:28:39,427 --> 00:28:42,087
to make it more interesting
from a technical perspective.
265
00:28:42,216 --> 00:28:45,539
Zula had an idea that I liked,
but we still have to prove,
266
00:28:45,584 --> 00:28:48,539
What was putting on ski boots?
in the rotating cage.
267
00:28:48,714 --> 00:28:54,756
Astronaut girl could lean
in all directions.
268
00:28:54,844 --> 00:28:56,971
It could be fun and interesting,
269
00:28:57,067 --> 00:29:01,309
but it will mean more work
and it would be a technical challenge.
270
00:29:02,229 --> 00:29:03,648
We'll see.
271
00:29:43,252 --> 00:29:45,294
Can we see the second group?
272
00:29:48,990 --> 00:29:50,778
We're an inch and a half out.
273
00:29:54,578 --> 00:29:55,597
Get started.
274
00:29:56,173 --> 00:29:58,605
And on the third "cha" it starts again...
275
00:29:59,577 --> 00:30:00,915
...and goes there.
276
00:30:02,601 --> 00:30:05,635
Then continue...
277
00:30:05,928 --> 00:30:07,557
Attention, you are too...
278
00:30:08,633 --> 00:30:10,972
You have to do everything sideways.
279
00:30:11,448 --> 00:30:13,335
That makes it much better.
280
00:30:14,755 --> 00:30:17,519
It is the dance of the shadows.
281
00:30:18,773 --> 00:30:20,215
Continue...
282
00:30:20,958 --> 00:30:22,208
One...
283
00:30:22,304 --> 00:30:25,145
And two...
284
00:30:25,993 --> 00:30:28,625
Then, a little explanation
about the shadows.
285
00:30:28,861 --> 00:30:30,930
I orient my body because there...
286
00:30:31,179 --> 00:30:35,121
The focus is like the camera lens,
the focus is there.
287
00:30:35,506 --> 00:30:37,557
It's a little strange,
288
00:30:37,637 --> 00:30:41,528
but the movements
they need to be like this,
289
00:30:41,625 --> 00:30:44,057
otherwise, it's like
If you didn't have a neck.
290
00:30:46,964 --> 00:30:49,172
The "cat jump" draw it more.
291
00:30:49,556 --> 00:30:54,139
When you do it,
You move a little to the side.
292
00:30:54,482 --> 00:30:57,844
Don't stay there...
That's right, go to the side.
293
00:31:01,918 --> 00:31:05,231
Girls, it's 6,
we should stop.
294
00:31:06,086 --> 00:31:07,922
Thank you very much, girls.
295
00:32:02,201 --> 00:32:05,071
Perfect. Diamond category.
What restaurant?
296
00:32:08,386 --> 00:32:10,334
"Devez" or "Francis"?
297
00:32:11,284 --> 00:32:12,477
Very good.
298
00:32:12,654 --> 00:32:13,936
For two?
299
00:32:17,895 --> 00:32:20,056
In whose name do I make the reservation?
300
00:32:25,020 --> 00:32:26,847
Your name please.
301
00:32:27,272 --> 00:32:27,955
Michael...
302
00:32:28,049 --> 00:32:30,847
He gives me his cell phone number,
please?
303
00:32:33,337 --> 00:32:34,688
Proforma invoice?
304
00:32:40,589 --> 00:32:44,010
Good afternoon. On scene
in 25 minutes.
305
00:32:49,489 --> 00:32:52,676
Good afternoon, a dancer
To the control room please.
306
00:32:53,060 --> 00:32:55,636
Just one?
Anyone in particular?
307
00:32:56,199 --> 00:32:59,529
- Zula, did I give you the invitation?
- Yes, thank you.
308
00:33:06,503 --> 00:33:10,381
I just love the show,
There are some things that need to be checked,
309
00:33:10,526 --> 00:33:12,938
like whether we wear wigs or not,
310
00:33:13,662 --> 00:33:18,846
but the music is very happy and fun.
It sticks to you.
311
00:33:22,278 --> 00:33:26,957
What I don't like is the ending.
312
00:33:28,926 --> 00:33:33,495
We really need to work
in that; even more than in the end.
313
00:33:33,630 --> 00:33:34,454
In what?
314
00:33:34,566 --> 00:33:38,172
Need something...
it deflates.
315
00:33:47,509 --> 00:33:49,537
Good night.
316
00:33:50,560 --> 00:33:51,873
Perfect, thank you.
317
00:33:55,258 --> 00:33:57,186
- I think it's us...
- Yes, they are...
318
00:33:57,266 --> 00:33:59,372
Somewhere here.
319
00:33:59,459 --> 00:34:01,632
- Here?
- Yes, it would be fine.
320
00:34:02,547 --> 00:34:05,968
Take this gentleman to 417.
321
00:34:06,372 --> 00:34:08,084
I was in 212.
322
00:34:09,162 --> 00:34:11,062
I hope you like the show.
323
00:34:11,767 --> 00:34:13,004
Good night.
324
00:34:30,620 --> 00:34:32,094
Smile, please.
325
00:35:19,638 --> 00:35:21,841
Honey, don't you see it?
326
00:35:22,001 --> 00:35:23,840
I'm calling.
327
00:35:24,016 --> 00:35:27,940
A guy like you�
He has to be punished.
328
00:35:28,196 --> 00:35:32,207
It's dangerous,
I'm falling...
329
00:35:36,600 --> 00:35:40,690
There is no escape.
I can't wait.
330
00:35:40,798 --> 00:35:44,705
I need a slap,
honey, give it to me.
331
00:35:44,706 --> 00:35:49,573
You are dangerous,
I like it.
332
00:35:52,928 --> 00:35:56,656
Too high,
It can't come down.
333
00:35:56,845 --> 00:36:01,531
I lose my mind,
going around and around.
334
00:36:03,396 --> 00:36:06,741
Do you feel me now?
335
00:36:12,589 --> 00:36:17,412
With the taste of your lips,
I'm traveling.
336
00:36:17,895 --> 00:36:21,455
You are toxic,
I'm slipping.
337
00:36:21,556 --> 00:36:25,107
Taste of your poisonous paradise.
338
00:36:25,183 --> 00:36:27,304
I'm addicted to you.
339
00:36:27,362 --> 00:36:32,970
Don't you know you're toxic?
340
00:36:33,590 --> 00:36:35,631
And I love what you do.
341
00:36:35,732 --> 00:36:42,757
Don't you know you're toxic?
342
00:36:47,311 --> 00:36:51,370
It's getting late
to give up on you.
343
00:36:51,612 --> 00:36:55,587
I took a sip
from my devil's cup.
344
00:36:55,939 --> 00:37:01,761
Little by little
It takes over me.
345
00:37:03,796 --> 00:37:07,650
Too high,
It can't come down.
346
00:37:07,711 --> 00:37:12,192
It's in the air
and everywhere around.
347
00:37:14,014 --> 00:37:17,776
Do you feel me now?
348
00:37:23,413 --> 00:37:28,334
With the taste of your lips,
I'm traveling.
349
00:37:28,778 --> 00:37:32,276
You are toxic,
I'm slipping.
350
00:37:32,332 --> 00:37:35,908
Taste of your poisonous paradise.
351
00:37:36,063 --> 00:37:37,970
I'm addicted to you.
352
00:37:38,066 --> 00:37:44,945
Don't you know you're toxic?
353
00:38:31,311 --> 00:38:35,147
Intoxicate me now,
with your love now.
354
00:38:35,220 --> 00:38:39,272
I think I'm ready now.
I think I'm ready now.
355
00:38:39,578 --> 00:38:43,479
Intoxicate me now,
with your love now.
356
00:38:43,650 --> 00:38:47,519
I think I'm ready now.
I think I'm ready now.
357
00:38:47,739 --> 00:38:52,183
Intoxicate me now,
with your love now.
358
00:38:52,284 --> 00:38:55,674
I think I'm ready now.
I think I'm ready now.
359
00:38:56,061 --> 00:38:58,027
Toxify me now.
360
00:39:13,190 --> 00:39:16,972
It's getting late
to give up on you.
361
00:39:17,209 --> 00:39:21,290
I took a sip
from my devil's cup.
362
00:39:21,688 --> 00:39:27,483
Little by little
It takes over me.
363
00:45:10,902 --> 00:45:12,869
That has to hurt!
364
00:45:24,332 --> 00:45:27,825
He's a big star in Russia,
He is a Bolshoi soloist.
365
00:45:29,431 --> 00:45:31,485
It is popular everywhere.
366
00:45:31,615 --> 00:45:34,602
He has a good physique.
367
00:45:38,124 --> 00:45:41,000
This is truly unique...
368
00:46:13,928 --> 00:46:15,765
The floor seems slippery.
369
00:46:16,633 --> 00:46:18,262
They are dance tapestries.
370
00:46:20,734 --> 00:46:22,373
It seems difficult.
371
00:46:24,026 --> 00:46:25,247
It's very difficult.
372
00:46:25,743 --> 00:46:27,204
You can say it.
373
00:46:35,100 --> 00:46:36,265
It's funny, huh?
374
00:47:12,233 --> 00:47:13,981
We can barely see each other...
375
00:47:14,880 --> 00:47:17,596
You see the darkness of a long coat...
376
00:47:18,125 --> 00:47:21,149
I catch the whiteness of a dress
summer...
377
00:47:22,299 --> 00:47:24,266
I am nothing more than a shadow.
378
00:47:24,804 --> 00:47:28,297
And you... a clarity.
379
00:47:31,381 --> 00:47:37,429
Longing for much more than a clear day.
380
00:47:37,998 --> 00:47:43,842
Immersed in that new life for me.
381
00:47:46,110 --> 00:47:51,099
Burn until the true day.
382
00:47:51,331 --> 00:47:56,747
I welcome your new
life for me.
383
00:48:00,770 --> 00:48:11,233
Forgive me, let me live
and free my spirit.
384
00:48:13,951 --> 00:48:23,351
Forgive me, let me live
and free my spirit.
385
00:48:28,870 --> 00:48:33,727
Lost battle that arrives
like a cold wave
386
00:48:34,139 --> 00:48:39,612
of guilt and shame upon me.
387
00:48:40,728 --> 00:48:45,400
Child who has reached the darkness.
388
00:48:45,912 --> 00:48:51,000
The hollow triumph of a tree.
389
00:48:52,838 --> 00:49:02,730
Forgive me, let me live,
kiss my defeat.
390
00:49:04,495 --> 00:49:14,295
Forgive me, let me live,
bless my destiny.
391
00:50:41,552 --> 00:50:51,788
Forgive me, let me live
and free my spirit.
392
00:50:53,560 --> 00:50:59,378
Seed of weakness so leafy.
393
00:50:59,778 --> 00:51:03,811
Man is the child.
394
00:51:05,195 --> 00:51:15,051
Forgive me, let me live
and free my spirit.
395
00:51:16,773 --> 00:51:22,275
Seed of weakness so leafy.
396
00:51:22,303 --> 00:51:27,426
Man is the child.
397
00:51:28,193 --> 00:51:40,601
Man is the child.
398
00:54:09,721 --> 00:54:11,808
- Do you act in "Scanner"?
- No.
399
00:54:11,873 --> 00:54:15,109
If you don't mind you could try it on.
400
00:54:15,638 --> 00:54:19,018
Because there is going to be a change of scene.
401
00:54:19,182 --> 00:54:21,764
We may not be able to do
the "infrared"
402
00:54:23,618 --> 00:54:25,915
until the weekend.
403
00:54:27,105 --> 00:54:28,333
Did you know?
404
00:54:28,691 --> 00:54:32,206
It was decided yesterday.
Philippe just told me.
405
00:54:33,295 --> 00:54:36,104
The "Scanner" needs to be ready...
406
00:54:36,255 --> 00:54:38,901
but we will try to have it prepared.
407
00:54:40,463 --> 00:54:43,548
If this lady doesn't care
take this off...
408
00:54:43,656 --> 00:54:48,690
And we will also try
a new costume for "Venus".
409
00:54:49,019 --> 00:54:50,346
- For "Venus"?
- Yes.
410
00:54:50,580 --> 00:54:52,529
We will do it more...
411
00:54:54,904 --> 00:54:56,932
a Formula 1 championship.
412
00:54:58,216 --> 00:54:59,557
Instead of...
413
00:55:01,470 --> 00:55:03,309
Yesterday he called me and told me...
414
00:55:03,406 --> 00:55:06,797
that we would have to try the dresses.
415
00:55:06,937 --> 00:55:09,689
- Of course.
-The new dresses...
416
00:55:09,690 --> 00:55:10,690
Yes.
417
00:55:11,153 --> 00:55:12,079
For you.
418
00:55:13,196 --> 00:55:18,499
Do you want to change it? because
the one I'm using now is great.
419
00:55:19,691 --> 00:55:26,622
The materials look very nice
with the lights.
420
00:55:26,766 --> 00:55:30,226
Yes, it's nice, but there is something
that bothers me.
421
00:55:30,508 --> 00:55:32,916
The material shines in such a way,
422
00:55:33,172 --> 00:55:40,055
that when you are like this, with the light behind you,
on the table,
423
00:55:40,279 --> 00:55:42,763
instead of doing your
round buttocks,
424
00:55:43,069 --> 00:55:45,324
It makes them look bony.
425
00:55:45,629 --> 00:55:50,088
The light draws a contour
like this on your buttocks...
426
00:55:50,292 --> 00:55:51,675
ago...
427
00:55:52,647 --> 00:55:57,383
something boney and not something round, you know?
428
00:55:57,759 --> 00:56:01,352
And with the other dress, the new one,
429
00:56:01,920 --> 00:56:05,429
The material accentuates the curves.
Do you understand what I'm saying?
430
00:56:05,524 --> 00:56:06,695
It doesn't catch the light,
431
00:56:07,018 --> 00:56:11,587
and it is more elegant
for the look...
432
00:56:11,911 --> 00:56:14,550
It has a more elegant touch, because...
433
00:56:14,910 --> 00:56:17,904
I also love the other material,
434
00:56:18,144 --> 00:56:19,467
but with the light...
435
00:56:19,935 --> 00:56:23,782
It's just too bright.
436
00:56:23,847 --> 00:56:29,267
It really doesn't flatter the silhouette.
437
00:56:29,268 --> 00:56:31,750
I really have that impression...
438
00:56:31,785 --> 00:56:36,064
How do I have the idea of doing
nice roundnesses,
439
00:56:36,144 --> 00:56:38,768
but the other doesn't do them.
440
00:56:39,026 --> 00:56:45,247
We also think that the material
It was very fragile...
441
00:56:46,222 --> 00:56:49,497
for constant use, etc.
442
00:56:49,782 --> 00:56:51,580
In the meantime, leave it.
443
00:56:52,571 --> 00:56:55,180
Let's see it...
444
00:56:55,548 --> 00:56:59,005
Daisy already tried it on
and it's beautiful.
445
00:56:59,061 --> 00:57:00,151
Can you come Jorge?
446
00:57:00,201 --> 00:57:03,046
I have difficulty undressing
to this lady.
447
00:57:03,536 --> 00:57:08,366
You can undress in the cabin
and then you come.
448
00:57:11,610 --> 00:57:15,484
- Do you have anything for my feet?
- Yes, do you want sneakers?
449
00:57:15,681 --> 00:57:16,472
Thank you.
450
00:57:16,567 --> 00:57:18,104
I'll find something.
451
00:58:30,149 --> 00:58:33,740
"Ban Girl" is what they call me
when it happens...
452
00:58:56,388 --> 00:59:00,830
She floats like a butterfly,
so lovely
453
00:59:03,663 --> 00:59:08,754
She recognizes the man in me.
454
00:59:08,755 --> 00:59:09,933
Number 1 in the world.
455
00:59:10,958 --> 00:59:15,430
There is something in his eyes
like a spell that hypnotizes me.
456
00:59:16,074 --> 00:59:22,153
Oh Lord, she gives me a smile,
two smiles, three smiles.
457
00:59:22,343 --> 00:59:24,490
She makes me wild.
458
00:59:25,091 --> 00:59:29,905
Girl, don't change your style.
459
00:59:30,011 --> 00:59:31,106
�Honey!
460
00:59:33,089 --> 00:59:36,880
�Make fun of me, make fun of me,
make fun of me, make fun of me!
461
00:59:37,212 --> 00:59:39,992
Until I lose control.
462
00:59:40,371 --> 00:59:44,062
They make fun of me with your love
until I lose control.
463
00:59:44,390 --> 00:59:48,790
Take my whole body
and my soul, oh girl.
464
00:59:51,822 --> 00:59:53,507
You go ahead again.
465
00:59:57,983 --> 00:59:59,801
The three behind you are doing
something different.
466
01:00:02,709 --> 01:00:05,545
Woman, they make fun of me
until I lose control.
467
01:00:05,593 --> 01:00:09,431
My ball makes fun of me
and it tickles my imagination,
468
01:00:09,477 --> 01:00:12,649
all the time
until I reach climax.
469
01:00:12,697 --> 01:00:16,626
And when we reach it,
He will tell me to stop.
470
01:00:16,751 --> 01:00:20,751
You want to aim for the sky
and not go back.
471
01:00:21,551 --> 01:00:23,959
You make my heart tick
like a clock...
472
01:00:24,376 --> 01:00:25,709
Woman, make fun of me
473
01:00:25,792 --> 01:00:27,501
and take a look
to my weak point.
474
01:00:27,626 --> 01:00:31,042
Only your caresses can sustain me.
475
01:00:31,047 --> 01:00:34,176
I like what Lumina is doing.
476
01:00:39,698 --> 01:00:41,976
You look like cheerleaders, but...
477
01:00:42,442 --> 01:00:46,167
Woman, your love is like fire
that burns me inside.
478
01:00:46,542 --> 01:00:50,084
Woman, get rid of me
until I lose control.
479
01:00:51,959 --> 01:00:55,626
�Make fun of me, make fun of me,
make fun of me, make fun of me!
480
01:00:56,202 --> 01:00:57,864
Today I am satisfied.
481
01:00:57,995 --> 01:01:00,433
We are moving forward,
everything is fine.
482
01:01:00,745 --> 01:01:04,078
I'm going to make a list of what
They asked me to review it, it's big.
483
01:01:04,143 --> 01:01:05,963
No end?
484
01:01:06,365 --> 01:01:07,830
There is no way?
485
01:01:08,067 --> 01:01:09,485
Today there is no way.
486
01:01:10,026 --> 01:01:11,209
And there isn't.
487
01:01:11,292 --> 01:01:13,167
I keep insisting...
488
01:01:13,292 --> 01:01:14,626
I am quite...
489
01:01:15,276 --> 01:01:16,355
Stubborn!
490
01:01:16,709 --> 01:01:20,126
But since I deliver
what I guess...
491
01:01:20,292 --> 01:01:22,063
I'm not giving up...
492
01:01:22,157 --> 01:01:25,774
When I talked to the boss,
he seemed satisfied.
493
01:01:25,822 --> 01:01:28,456
He has calmed down.
494
01:01:28,536 --> 01:01:33,893
I went to see him and said: "Fire me,
"I have not fulfilled our agreement."
495
01:01:33,958 --> 01:01:36,956
"I am responsible,
But I want to explain why."
496
01:01:37,038 --> 01:01:41,378
"There are several problems.
Let's solve them."
497
01:01:41,457 --> 01:01:44,297
"If sometimes I can't
be effective,
498
01:01:44,377 --> 01:01:49,525
It's not just because he's useless."
499
01:01:49,588 --> 01:01:52,737
"We take a step forward
and two back."
500
01:01:52,804 --> 01:01:57,225
"We have canceled some
numbers, like 'Venus' and 'Scanner'."
501
01:01:57,353 --> 01:01:59,209
"I can't be bright
every morning,
502
01:01:59,309 --> 01:02:00,984
"I'm sorry, it's like that."
503
01:02:01,058 --> 01:02:03,887
"Find someone who can
and hire him."
504
01:02:03,934 --> 01:02:05,937
Other than that, are you happy?
505
01:02:06,253 --> 01:02:08,040
I am passionate about my work.
506
01:02:08,122 --> 01:02:11,640
Right now my job is to do
the Crazy Horse show,
507
01:02:11,704 --> 01:02:13,984
and that takes all my time.
508
01:02:14,049 --> 01:02:17,494
I see what is wrong
and I try to fix it.
509
01:02:17,554 --> 01:02:21,774
For the rest, if there is nothing wrong,
I leave it as it is.
510
01:02:21,986 --> 01:02:24,691
However,
I'm still very worried
511
01:02:24,771 --> 01:02:27,451
when I see a show
like last night.
512
01:02:27,957 --> 01:02:31,104
We had excellent dancers
and technicians,
513
01:02:31,159 --> 01:02:33,835
compared to shows
less fortunate.
514
01:02:33,917 --> 01:02:36,772
But there were still little ones
errors in all numbers.
515
01:02:36,871 --> 01:02:40,011
These constant mistakes scare me.
516
01:02:40,090 --> 01:02:42,798
The infrared broke the other day.
517
01:02:42,893 --> 01:02:48,216
It's those little details that
They make the show good or bad.
518
01:02:48,311 --> 01:02:52,183
First, the "Infrared" curtain
I was leaning.
519
01:02:52,247 --> 01:02:54,253
The image was blurry.
520
01:02:54,332 --> 01:02:58,980
They forgot one of the tulles while
was projected at Daisy's end,
521
01:02:59,064 --> 01:03:03,792
was projected on the curtain,
so no one could see anything...
522
01:03:04,175 --> 01:03:07,863
This is supposed to be the best
elegant nude show in the world.
523
01:03:07,942 --> 01:03:10,612
Well, we can do it.
524
01:03:10,817 --> 01:03:13,792
But when something goes wrong,
you have to wait,
525
01:03:13,917 --> 01:03:17,584
the number has to stop
and we all look ridiculous!
526
01:03:19,959 --> 01:03:23,584
I'm worried because
the team's weaknesses.
527
01:03:23,667 --> 01:03:26,584
B�go talked about reorganizing
528
01:03:27,042 --> 01:03:30,167
the structure of stage direction.
529
01:03:30,292 --> 01:03:32,626
It could be useful.
I'm trying to do it.
530
01:03:32,751 --> 01:03:35,126
I have to talk to Maurizio about it.
531
01:03:35,292 --> 01:03:37,953
-He is not convinced.
- What do you mean?
532
01:03:38,000 --> 01:03:42,542
For example, I would like Rico to
was the stage director.
533
01:03:43,167 --> 01:03:44,834
Rico is very reliable.
534
01:03:44,959 --> 01:03:46,617
Rico is quite reliable.
535
01:03:46,665 --> 01:03:48,512
If I were the stage director,
536
01:03:48,574 --> 01:03:53,769
people would go talk to him
if there was any problem.
537
01:03:54,033 --> 01:03:58,709
Today, a bad curtain is not
no one's responsibility.
538
01:03:58,792 --> 01:04:02,688
It's their stupid rule:
all jobs are interchangeable.
539
01:04:02,768 --> 01:04:05,634
That makes sense with dancers,
540
01:04:05,731 --> 01:04:07,588
but not with the technicians.
541
01:04:07,684 --> 01:04:12,395
I tried to explain it to Andr�e
and to the boss:
542
01:04:12,475 --> 01:04:17,477
"Imagine that today you are the boss,
tomorrow secretary, then janitor."
543
01:04:17,573 --> 01:04:22,498
"And the next day,
takes charge of marketing."
544
01:04:22,546 --> 01:04:26,626
They are supposed to know
how to do everything.
545
01:04:26,876 --> 01:04:31,001
They must be able to take charge
of what belongs to others.
546
01:04:31,167 --> 01:04:34,459
This system has to change.
547
01:04:34,834 --> 01:04:37,943
If not, it will remain unstable and fragile.
548
01:04:38,008 --> 01:04:42,501
They must know everything,
but with more precise responsibilities.
549
01:04:42,667 --> 01:04:44,042
Responsibilities.
550
01:04:44,167 --> 01:04:47,209
Some of the technicians
They cannot be stage directors.
551
01:04:47,334 --> 01:04:51,042
There are things they simply cannot do.
552
01:04:51,209 --> 01:04:53,792
Let's be realistic and put them
in the right place.
553
01:04:53,917 --> 01:04:54,792
�Correct!
554
01:04:54,959 --> 01:04:57,347
We all face our limits.
555
01:04:57,411 --> 01:05:03,376
For some things, I am useless,
I just can't do them.
556
01:05:03,876 --> 01:05:06,334
That's why I'm not going to do "How hot"!
557
01:05:07,876 --> 01:05:10,918
Let me pay you a compliment:
you are just great.
558
01:05:11,015 --> 01:05:13,089
Speaking of "How hot"...
559
01:05:13,169 --> 01:05:14,838
you did it yesterday.
560
01:05:14,919 --> 01:05:18,727
I think you don't like the number,
but you do it.
561
01:05:18,841 --> 01:05:21,420
You are fun and powerful.
562
01:05:21,485 --> 01:05:24,542
That's generous.
Let's keep it that way.
563
01:05:34,501 --> 01:05:37,709
Today is the International Day
of Biodiversity.
564
01:05:37,917 --> 01:05:41,459
Let's talk about the invasion
of exotic species.
565
01:05:41,584 --> 01:05:46,166
This species digs burrows
on the ground.
566
01:05:46,230 --> 01:05:50,467
The water will therefore be
much cloudier.
567
01:07:26,751 --> 01:07:28,167
We need a working method
568
01:07:28,251 --> 01:07:31,550
to coordinate design workshops.
569
01:07:31,871 --> 01:07:35,776
We can't be changing
the plans constantly,
570
01:07:35,876 --> 01:07:38,582
or give up something
and move on to the next one.
571
01:07:38,631 --> 01:07:41,497
Another idea, one girl instead of two...
572
01:07:41,577 --> 01:07:46,001
These constant changes
that we had in the organization,
573
01:07:46,342 --> 01:07:50,251
drove me to complete madness
what I experienced
574
01:07:50,459 --> 01:07:52,084
the other day.
575
01:07:52,209 --> 01:07:54,334
We are doing a sloppy job...
576
01:07:54,501 --> 01:07:56,292
and that is not the tradition here.
577
01:07:56,417 --> 01:08:00,621
Nothing has a green light
in the production meeting,
578
01:08:00,701 --> 01:08:02,858
so I don't want to attend them,
579
01:08:02,938 --> 01:08:05,542
because I have work to do...
580
01:08:05,626 --> 01:08:07,667
However Roselyne
kept you informed.
581
01:08:07,751 --> 01:08:10,959
He did it, that's what we had agreed...
582
01:08:12,276 --> 01:08:14,126
The new calendar...
583
01:08:14,334 --> 01:08:17,084
My fault. I admit it.
584
01:08:17,209 --> 01:08:18,584
It's not that, it's not that.
585
01:08:18,751 --> 01:08:21,167
It changes all the time.
586
01:08:21,251 --> 01:08:23,639
In each meeting we change everything.
587
01:08:23,768 --> 01:08:28,442
- There are reasons.
- I already know the reasons!
588
01:08:28,609 --> 01:08:30,359
I try to be the most...
589
01:08:30,484 --> 01:08:32,526
You must understand...
590
01:08:32,651 --> 01:08:35,879
that we simply cannot
do a good job...
591
01:08:35,975 --> 01:08:38,884
with the same enthusiasm that we had
at the beginning...
592
01:08:38,979 --> 01:08:43,551
and with a result
honorable for the crazy.
593
01:08:43,651 --> 01:08:45,211
And for everyone.
594
01:08:45,259 --> 01:08:48,992
What we did was... shit.
595
01:08:49,217 --> 01:08:52,281
You can't do what you want
with the girls.
596
01:08:52,361 --> 01:08:54,651
They make the spagat,
597
01:08:54,734 --> 01:08:58,192
in front of the public...
598
01:08:58,359 --> 01:09:00,337
Or not, or whatever...
599
01:09:00,449 --> 01:09:03,097
No risks taken
with a naked girl.
600
01:09:03,193 --> 01:09:07,609
Dresses may not be important
for you, but they are for us.
601
01:09:07,859 --> 01:09:09,470
But we don't have the time...
602
01:09:09,565 --> 01:09:13,234
to validate anything with you
nor with Andr�e.
603
01:09:13,317 --> 01:09:15,276
At least with you!
604
01:09:15,567 --> 01:09:18,813
We agreed to have
a creative meeting every week.
605
01:09:18,878 --> 01:09:22,178
Three weeks have passed without any.
606
01:09:23,586 --> 01:09:27,192
There have been no creative meetings.
Production meetings...
607
01:09:27,317 --> 01:09:30,692
they give us perspective
of a week, no more.
608
01:09:30,791 --> 01:09:33,787
What do we do? I can't go on like this.
609
01:09:33,867 --> 01:09:35,942
I'm going to go crazy.
610
01:09:36,092 --> 01:09:39,443
My idea with the title
"Drive me crazy",
611
01:09:39,491 --> 01:09:43,179
It wasn't that I was going crazy,
but the men of the public.
612
01:09:43,275 --> 01:09:46,532
The girls drive them crazy,
not to me.
613
01:09:46,612 --> 01:09:49,154
I am happy to work,
I love what I do,
614
01:09:49,234 --> 01:09:51,580
making the girls
They are beautiful.
615
01:09:51,659 --> 01:09:53,839
I can't ruin
Roselyne's work,
616
01:09:53,904 --> 01:09:55,674
ruin the image of the crazy,
617
01:09:55,747 --> 01:09:57,914
I can't ruin myself!
618
01:09:57,978 --> 01:10:02,442
I can't stay silent
like a mouse and say:
619
01:10:03,567 --> 01:10:05,754
"It's not my fault." It's absurd!
620
01:10:05,802 --> 01:10:09,776
We have to be proud
of what we do.
621
01:10:10,067 --> 01:10:11,669
At first we sat
very proud,
622
01:10:11,735 --> 01:10:13,651
but in the end...
623
01:10:13,817 --> 01:10:18,609
I don't want to embarrass Crazy.
624
01:10:18,692 --> 01:10:20,755
The objective of this meeting is this:
625
01:10:20,871 --> 01:10:24,609
We must do a complete review,
from start to finish...
626
01:10:24,734 --> 01:10:28,044
and then share the work
between us,
627
01:10:28,141 --> 01:10:32,276
so the planning is
completed within a week.
628
01:10:32,442 --> 01:10:36,759
If I can't have the full picture,
I'm going to resign.
629
01:10:36,884 --> 01:10:38,678
It would seem logical to us
630
01:10:38,758 --> 01:10:40,380
that you would supervise
631
01:10:40,460 --> 01:10:44,359
all the costumes from the new show
to maintain consistency.
632
01:10:44,442 --> 01:10:47,276
That's what they asked me at the beginning,
so...
633
01:10:47,401 --> 01:10:50,984
It's much better this way, even for me.
634
01:10:51,067 --> 01:10:53,609
Now you should monitor the consistency...
635
01:10:53,776 --> 01:10:58,442
of choreography, music
and the structure.
636
01:10:58,651 --> 01:11:01,637
Because if I can't supervise
the whole show,
637
01:11:01,717 --> 01:11:03,259
will end up being unstable.
638
01:11:03,340 --> 01:11:04,631
The same goes for you.
639
01:11:04,747 --> 01:11:08,457
You should supervise the locker room
as a whole.
640
01:11:08,569 --> 01:11:11,884
As for the method to do it,
frankly...
641
01:11:11,984 --> 01:11:14,431
I'm lost,
I don't know how to do it.
642
01:11:14,510 --> 01:11:18,470
We have an approval process,
643
01:11:18,550 --> 01:11:21,581
as is normal,
for all decisions.
644
01:11:21,681 --> 01:11:23,184
You have to approve them,
645
01:11:23,231 --> 01:11:24,920
Andr�e must approve them,
646
01:11:24,985 --> 01:11:27,844
and Roselyne must approve them.
647
01:11:27,912 --> 01:11:29,484
Became anarchic
648
01:11:29,580 --> 01:11:33,317
because we were all creating
at the same time.
649
01:11:33,401 --> 01:11:36,234
We should know who does what.
650
01:11:36,317 --> 01:11:38,376
We are always creating!
651
01:11:38,472 --> 01:11:43,942
We move so fast that we have lost
contact with what we are creating.
652
01:11:44,634 --> 01:11:47,149
Very good. Yes.
653
01:11:47,567 --> 01:11:49,009
Don't smile.
654
01:11:51,401 --> 01:11:53,324
Don't look at me, look ahead.
655
01:11:54,234 --> 01:11:56,321
Let me... Let me see...
656
01:11:59,234 --> 01:12:00,773
Yes, perfect.
657
01:12:02,501 --> 01:12:03,533
Very good...
658
01:12:09,859 --> 01:12:15,401
Ok... turn your head.
659
01:12:15,526 --> 01:12:17,477
Turn your head a little to this side.
660
01:12:46,109 --> 01:12:47,401
Lumina,
661
01:12:47,484 --> 01:12:51,817
Please understand that these women
They are like rivals.
662
01:12:51,984 --> 01:12:54,734
At first, they measure each other,
663
01:12:54,984 --> 01:12:59,526
They look at each other from top to bottom,
664
01:12:59,942 --> 01:13:02,067
They judge each other...
665
01:13:02,192 --> 01:13:05,442
to see who is stronger,
666
01:13:05,609 --> 01:13:09,609
more beautiful, more competent.
667
01:13:09,942 --> 01:13:14,109
Then comes a phase of seduction
with a touch of rivalry.
668
01:13:14,276 --> 01:13:17,359
They get into some kind of fight,
669
01:13:17,776 --> 01:13:19,342
at the same time lethal and loving,
670
01:13:19,442 --> 01:13:21,225
and in the end one kills the other.
671
01:13:31,776 --> 01:13:33,192
There we go.
672
01:13:39,609 --> 01:13:42,234
Raise your hips.
673
01:13:43,317 --> 01:13:46,859
Don't swing it,
put yourself in profile.
674
01:13:48,984 --> 01:13:52,984
We dance a kind of funky,
675
01:13:54,617 --> 01:14:01,026
you might think we are
a little naughty,
676
01:14:03,192 --> 01:14:05,151
but please,
677
01:14:06,234 --> 01:14:09,651
don't get the wrong idea.
678
01:14:10,067 --> 01:14:12,026
Forward and up.
679
01:14:12,401 --> 01:14:18,109
Any man who has
a lot of money...
680
01:14:18,276 --> 01:14:20,067
Honey, go back,
681
01:14:20,609 --> 01:14:22,817
stay in line with the others.
682
01:14:25,442 --> 01:14:26,776
In profile.
683
01:14:29,720 --> 01:14:32,313
If you...
684
01:14:32,901 --> 01:14:36,442
you want to be happy,
685
01:14:38,526 --> 01:14:41,192
in Paris,
686
01:14:41,567 --> 01:14:45,692
come to the Crazy Horse salon.
687
01:14:57,526 --> 01:15:00,151
Lena, keep your hips high.
688
01:15:00,651 --> 01:15:02,901
Don't lower your head.
689
01:15:15,192 --> 01:15:16,692
Final posture.
690
01:15:19,234 --> 01:15:20,734
Thanks, girls.
691
01:15:34,276 --> 01:15:35,901
We start from...
692
01:15:38,109 --> 01:15:39,401
Is that so?
693
01:15:43,192 --> 01:15:46,151
...Dear, what did you do with that pearl?
694
01:15:46,317 --> 01:15:48,942
�What? Pam pam pam pam.
695
01:15:49,234 --> 01:15:52,197
I'm a good girl.
696
01:15:55,859 --> 01:15:56,927
Good!
697
01:16:07,410 --> 01:16:08,416
Good!
698
01:16:11,567 --> 01:16:12,778
Back!
699
01:16:15,942 --> 01:16:17,252
And turn.
700
01:16:19,817 --> 01:16:21,092
Oh yes!
701
01:16:21,192 --> 01:16:22,984
I know what happened.
702
01:16:23,484 --> 01:16:26,401
He showed you something that is not right.
703
01:16:28,692 --> 01:16:30,817
This was good.
704
01:16:31,651 --> 01:16:33,859
But when you're on the other side...
705
01:16:35,901 --> 01:16:38,734
Don't make a "withdrawal",
It's all followed here.
706
01:16:39,109 --> 01:16:41,280
Don't waste time.
707
01:16:41,567 --> 01:16:44,734
I just saw that I showed it to you
incorrectly.
708
01:16:45,692 --> 01:16:50,276
This foot on the ground... and I turn.
709
01:16:52,151 --> 01:16:52,901
Exact.
710
01:16:54,609 --> 01:16:56,234
That gives you more time.
711
01:16:56,401 --> 01:16:59,359
I showed it to you with a "withdraw".
712
01:16:59,484 --> 01:17:03,359
But it takes one more beat
and you lose it.
713
01:17:03,484 --> 01:17:05,942
Leg down, foot down...
714
01:17:06,026 --> 01:17:08,526
That will help you turn.
715
01:17:15,317 --> 01:17:20,359
Exact. And you go. That is.
716
01:17:20,901 --> 01:17:23,151
It has been an excellent test.
717
01:17:23,651 --> 01:17:25,401
Please, on stage for the finale!
718
01:17:25,501 --> 01:17:27,442
"Desire" is on!
719
01:17:32,067 --> 01:17:36,942
I realized that the good with
"Stars of Paris"...
720
01:17:37,067 --> 01:17:40,901
was that the three rows of side lights
They were connected.
721
01:17:41,001 --> 01:17:43,401
I'm sorry, but the problem is...
722
01:17:43,567 --> 01:17:45,651
that we are not in the angle
of lighting.
723
01:17:45,734 --> 01:17:47,859
The conveyor belt and the letters...
724
01:17:48,026 --> 01:17:50,859
They are not illuminated by the side lights.
725
01:17:51,984 --> 01:17:54,359
We could add more anyway,
726
01:17:54,442 --> 01:17:56,192
to create an atmosphere...
727
01:17:56,567 --> 01:17:59,734
What worked well yesterday was that,
sometimes,
728
01:17:59,859 --> 01:18:02,278
All these lights were on,
729
01:18:02,359 --> 01:18:07,401
and anyway we had these two
on... intermittently.
730
01:18:07,609 --> 01:18:10,609
So, in addition to basic lighting,
731
01:18:10,734 --> 01:18:12,484
We're going to need these.
732
01:18:12,651 --> 01:18:17,109
Not all the time, but to have
some kind of progression
733
01:18:17,276 --> 01:18:19,165
so that you have more and more light.
734
01:18:19,244 --> 01:18:24,609
You are doing too many things
at the same time.
735
01:18:24,734 --> 01:18:27,567
You decide on the lighting aesthetically
736
01:18:27,734 --> 01:18:30,901
while adjusting the lighting
to music.
737
01:18:31,526 --> 01:18:32,487
What I want to do...
738
01:18:32,551 --> 01:18:35,901
what I did for "Jungle", with Dita,
739
01:18:36,067 --> 01:18:41,109
was to test manually first,
without recording a lighting program...
740
01:18:41,276 --> 01:18:44,109
We have to record it, it's for tonight!
741
01:18:44,817 --> 01:18:48,421
We have been rehearsing manually
for two days.
742
01:18:48,486 --> 01:18:51,609
We can check it together.
743
01:18:52,984 --> 01:18:56,088
I could see a girl almost naked
inside a letter?
744
01:18:56,154 --> 01:18:58,024
-Almost naked?
- Yes.
745
01:18:59,109 --> 01:19:00,703
This is already beautiful.
746
01:19:00,798 --> 01:19:04,651
It would be more beautiful if the letters
They were animated.
747
01:19:04,776 --> 01:19:07,236
Frankly, I...
748
01:19:07,651 --> 01:19:08,984
It's sublime.
749
01:19:09,151 --> 01:19:12,901
Good, but we can't have everything
at the same time.
750
01:19:13,067 --> 01:19:16,817
We said we would have an animation
on the curtain, there.
751
01:19:17,067 --> 01:19:18,776
With animated letters.
752
01:19:18,901 --> 01:19:21,442
When the curtain rises,
The letters remain there.
753
01:19:21,526 --> 01:19:24,609
And at that moment,
The girls are in position.
754
01:19:24,734 --> 01:19:27,526
Then you cut the animation
and you illuminate the faces.
755
01:19:27,692 --> 01:19:30,442
For me, it's crazy,
It's too fast.
756
01:19:30,609 --> 01:19:34,234
When the curtain rises,
we would see only silhouettes.
757
01:19:34,401 --> 01:19:35,942
The girls are in position,
758
01:19:36,109 --> 01:19:38,484
They sing and stay there.
759
01:19:38,692 --> 01:19:40,759
That's when the lighting
of faces makes sense,
760
01:19:40,859 --> 01:19:42,401
because that lasts a long time.
761
01:19:43,317 --> 01:19:47,692
I understand your idea about the first image,
but it doesn't work.
762
01:19:47,817 --> 01:19:49,484
We do not animate the letters.
763
01:19:49,651 --> 01:19:53,442
You have to open,
possibly with a little smoke.
764
01:19:53,609 --> 01:19:55,909
The opening could have a big impact.
765
01:20:12,609 --> 01:20:14,506
Minus three, approximately...
766
01:20:14,647 --> 01:20:18,357
Two doubles...
767
01:20:21,701 --> 01:20:23,320
Silicone...
768
01:20:25,317 --> 01:20:27,913
The bust size...
769
01:20:30,567 --> 01:20:34,359
I'm going to see about the straps
when you're on stage.
770
01:20:35,484 --> 01:20:39,497
Because they are adjustable.
771
01:20:45,234 --> 01:20:47,309
Let me see the back.
772
01:20:53,192 --> 01:20:56,261
If the straps are too tight,
773
01:20:56,817 --> 01:21:01,901
the back hangs down,
no one can see the curve.
774
01:21:02,067 --> 01:21:04,058
So you must...
775
01:21:05,067 --> 01:21:07,192
I think... it's okay.
776
01:21:10,776 --> 01:21:13,484
Let's try it with the fringes.
777
01:21:13,567 --> 01:21:14,692
Where are they?
778
01:21:14,776 --> 01:21:15,901
I don't know.
779
01:21:19,942 --> 01:21:23,359
I'll go look for Roselyne's...
780
01:21:27,234 --> 01:21:29,676
This has to be a centimeter longer.
781
01:21:31,451 --> 01:21:32,987
That's better.
782
01:21:33,129 --> 01:21:34,526
You were too close.
783
01:21:34,817 --> 01:21:38,901
Try to rectify...
784
01:21:38,984 --> 01:21:42,067
If it is too high, adjust.
785
01:21:42,276 --> 01:21:44,484
Find the correct position.
786
01:21:47,526 --> 01:21:49,942
You're not focused, girls.
787
01:21:51,067 --> 01:21:56,067
Same here, it's better with the buttocks
together, but not the heads.
788
01:21:56,859 --> 01:21:59,026
Chest forward.
789
01:22:00,276 --> 01:22:02,609
You look like a pile of pudding.
790
01:22:02,776 --> 01:22:04,401
Very good, thank you!
791
01:22:05,109 --> 01:22:09,151
Keep playing with your fingers,
sensual little fingers.
792
01:22:12,651 --> 01:22:14,317
You're not listening to me!
793
01:22:14,401 --> 01:22:16,192
Yes I do!
794
01:22:16,317 --> 01:22:22,317
Diagonally means your forearm
towards the light and the hand towards it.
795
01:22:22,401 --> 01:22:25,067
That's it! That's fine.
796
01:22:30,984 --> 01:22:34,643
And here you have to throw your arm,
797
01:22:34,765 --> 01:22:36,203
you pose the other,
798
01:22:36,299 --> 01:22:39,043
as if you were drawing the glove.
799
01:22:39,123 --> 01:22:40,567
Don't do...
800
01:22:45,492 --> 01:22:48,974
It has to be fluid, fluid...
801
01:22:50,159 --> 01:22:53,984
Stress it and strain it and then... out.
802
01:22:56,567 --> 01:22:58,276
Very good, Liv.
803
01:22:58,659 --> 01:23:02,313
I have always been an admirer
Crazy's unconditional.
804
01:23:02,391 --> 01:23:06,234
It was more than admiration,
It was an obsession.
805
01:23:06,859 --> 01:23:09,359
I have seen the show
at least forty times,
806
01:23:09,484 --> 01:23:12,651
was always here,
I sang the songs...
807
01:23:12,734 --> 01:23:15,942
Now I can't do it anymore
because I'm part of the team.
808
01:23:16,276 --> 01:23:19,901
I listen to music at home and my helpers
they are going crazy,
809
01:23:19,984 --> 01:23:23,026
they are fed up with
"You told me I'm a good girl."
810
01:23:23,192 --> 01:23:27,317
I'm quite obsessive.
811
01:23:27,401 --> 01:23:29,526
I have had several obsessions:
812
01:23:29,692 --> 01:23:33,567
Saint-Laurent, Marlene Dietrich,
Helmut Newton, the Crazy...
813
01:23:33,692 --> 01:23:36,817
Crazy is one of my obsessions
stronger.
814
01:23:37,026 --> 01:23:40,932
And when I get obsessed with something,
I dedicate myself fully.
815
01:23:41,014 --> 01:23:44,673
I'm obsessed with details
which may not interest Philippe,
816
01:23:44,756 --> 01:23:50,567
who are interested in other things,
who has another vision of women.
817
01:23:51,109 --> 01:23:53,067
At a certain time,
818
01:23:53,192 --> 01:23:56,901
He may have had some difficulties here.
819
01:23:56,984 --> 01:24:00,884
Maybe because he has worked here
a long time,
820
01:24:00,984 --> 01:24:04,609
with everyone interfering
and giving their opinions.
821
01:24:04,817 --> 01:24:05,817
And like Philippe...
822
01:24:06,734 --> 01:24:08,401
It is very democratic,
823
01:24:08,567 --> 01:24:11,776
He tends to listen to everyone.
824
01:24:12,776 --> 01:24:14,109
I don't.
825
01:24:14,276 --> 01:24:17,651
I may listen
to three people I believe in.
826
01:24:17,817 --> 01:24:23,109
He may be too much of a dictator.
827
01:24:23,317 --> 01:24:26,581
So Ali,
Are you the co-director of the show?
828
01:24:26,677 --> 01:24:30,317
I am the artistic director.
Philippe is the director.
829
01:24:30,442 --> 01:24:32,192
I'm the artistic director because...
830
01:24:32,317 --> 01:24:34,300
I arrived much later than him,
831
01:24:34,395 --> 01:24:39,776
and also because the majority
of the numbers were already designed.
832
01:24:40,026 --> 01:24:45,776
The artistic director...
He is in charge of the ideas.
833
01:24:45,984 --> 01:24:48,901
We designed some numbers together.
834
01:24:49,067 --> 01:24:52,276
Others had been designed by Philippe.
835
01:24:52,692 --> 01:24:56,484
My job is to contribute
a new look.
836
01:24:56,651 --> 01:24:59,692
I come after him.
837
01:24:59,817 --> 01:25:04,109
I'm not a co-director.
Philippe is the director,
838
01:25:04,234 --> 01:25:06,971
the one who conceived most of the numbers.
839
01:25:07,052 --> 01:25:09,734
I'm just an artistic director.
840
01:25:09,817 --> 01:25:12,692
But those are just titles,
841
01:25:12,789 --> 01:25:14,725
because in the end,
842
01:25:14,778 --> 01:25:17,094
we are all involved in such a way
843
01:25:17,158 --> 01:25:20,315
We don't know who the boss is.
844
01:25:20,396 --> 01:25:27,592
But well... it's Philippe who is...
at the highest.
845
01:25:27,692 --> 01:25:31,759
He deserves it for
your talent and experience
846
01:25:31,859 --> 01:25:35,151
and a legitimacy
which gives you that right.
847
01:25:40,192 --> 01:25:41,192
Once again.
848
01:25:44,442 --> 01:25:46,859
Same thing, come on.
849
01:25:47,692 --> 01:25:48,734
Begin.
850
01:25:50,151 --> 01:25:52,317
You're late again.
851
01:25:57,859 --> 01:26:00,276
Sing the playback, girls.
852
01:26:05,692 --> 01:26:10,109
You are well together with the one in the chair.
853
01:26:11,192 --> 01:26:12,567
The friends arrive.
854
01:26:14,901 --> 01:26:17,192
Where is the other friend?
855
01:26:17,442 --> 01:26:20,651
There is another. Number 6.
856
01:26:30,651 --> 01:26:34,651
Too soon with the hand, Linda.
857
01:26:42,276 --> 01:26:43,526
Screen!
858
01:26:54,401 --> 01:26:56,567
It's nice if they keep singing.
859
01:26:56,984 --> 01:26:58,767
For me there are two that will become
in classics.
860
01:26:58,901 --> 01:27:01,234
They are purely crazy
861
01:27:01,401 --> 01:27:05,692
and at the same time they are innovative
and totally crazy.
862
01:27:05,901 --> 01:27:09,151
You're going to have to see them to understand it.
863
01:27:09,526 --> 01:27:14,025
Philippe captured the essence of the house.
864
01:27:15,359 --> 01:27:21,609
But he has created something...
almost revolutionary.
865
01:27:21,734 --> 01:27:23,670
One of the numbers is...
866
01:27:24,051 --> 01:27:26,442
Mr. Bernardin must be applauding
in his grave and thinking:
867
01:27:26,609 --> 01:27:30,151
"If I were still here,
"I would have done that."
868
01:27:30,317 --> 01:27:31,234
What number is it?
869
01:27:31,901 --> 01:27:34,151
"Blushing with Desire."
870
01:27:39,151 --> 01:27:43,692
Mr. Bernardin had
his own definition of eroticism.
871
01:27:43,859 --> 01:27:45,776
What is yours?
872
01:27:46,109 --> 01:27:49,408
The most important thing is in the suggestion.
873
01:27:49,692 --> 01:27:55,067
In seduction, without offering yourself.
In retention...
874
01:27:55,151 --> 01:27:58,317
I agree with Mr. Bernardin:
875
01:27:58,442 --> 01:28:01,651
It goes through frustration and imagination.
876
01:28:03,192 --> 01:28:07,192
Also for dreams. Dreaming is important.
877
01:28:10,026 --> 01:28:12,442
And that is...
878
01:28:14,817 --> 01:28:17,942
our brand image, in a way.
879
01:28:18,317 --> 01:28:20,151
The Crazy has created,
880
01:28:20,692 --> 01:28:25,026
has perfected a certain way
to make a certain art.
881
01:28:26,026 --> 01:28:31,151
For me...
what is valued...
882
01:28:31,692 --> 01:28:33,984
is to celebrate and place
883
01:28:35,026 --> 01:28:39,901
to women and games
of seduction and eroticism of women,
884
01:28:40,109 --> 01:28:42,692
in an extremely...
885
01:28:43,901 --> 01:28:46,359
sophisticated and inspiring...
886
01:28:46,692 --> 01:28:48,276
Inspirational for women.
887
01:28:51,067 --> 01:28:53,776
Not everyone is
agree with me,
888
01:28:53,801 --> 01:28:56,692
but I think the crazy,
somehow...
889
01:28:57,817 --> 01:29:00,609
I'm not saying that
women like it more,
890
01:29:00,734 --> 01:29:03,609
but probably
It's the only place today...
891
01:29:03,734 --> 01:29:09,234
where the naked dancers
on stage,
892
01:29:09,401 --> 01:29:11,696
They really attract women!
893
01:29:11,760 --> 01:29:15,067
We have many female fans,
many female clients.
894
01:29:15,526 --> 01:29:17,276
And for me that is the key.
895
01:29:17,401 --> 01:29:21,692
When women are comfortable
and they have the key to eroticism,
896
01:29:22,067 --> 01:29:23,692
men benefit from it.
897
01:29:23,817 --> 01:29:26,901
That's how it goes, sorry,
at least for me.
898
01:29:27,067 --> 01:29:30,192
I believe that the key to eroticism
belongs to the woman.
899
01:29:30,734 --> 01:29:32,151
It works both ways.
900
01:29:32,276 --> 01:29:36,567
In both senses. Exactly.
901
01:29:37,526 --> 01:29:40,067
We could see now...
902
01:29:40,442 --> 01:29:42,276
a blue light instead of red?
903
01:29:42,401 --> 01:29:43,734
No.
904
01:29:43,984 --> 01:29:48,276
I want to see more colors
to find out which of them
905
01:29:48,442 --> 01:29:49,712
is the most appropriate.
906
01:29:50,609 --> 01:29:53,567
�You can move the colors
of the side lights
907
01:29:53,776 --> 01:29:57,026
to see what color might be best?
908
01:29:57,451 --> 01:29:59,395
That's too much.
909
01:29:59,667 --> 01:30:01,470
Too red.
910
01:30:02,409 --> 01:30:05,051
Here the red is lost in the rope.
911
01:30:05,217 --> 01:30:07,496
- Not bad.
- Dark blue.
912
01:30:08,126 --> 01:30:09,885
Congo blue isn't bad, right?
913
01:30:09,980 --> 01:30:11,853
It's interesting.
914
01:30:13,234 --> 01:30:15,942
Let's go with "Stars of Paris".
915
01:30:25,317 --> 01:30:26,873
This is perfect.
916
01:30:27,984 --> 01:30:29,490
One, two...
917
01:30:31,901 --> 01:30:33,016
It's okay.
918
01:30:33,484 --> 01:30:34,547
Ready?
919
01:30:35,109 --> 01:30:36,072
Let's go...
920
01:30:38,401 --> 01:30:39,600
The last one.
921
01:30:43,484 --> 01:30:46,859
You, Ali, are particularly
interested in dresses?
922
01:30:47,234 --> 01:30:51,067
Not particularly.
I am interested in everything.
923
01:30:51,092 --> 01:30:55,026
But I think I'm more interested
in the dresses that Philipp.
924
01:30:55,567 --> 01:30:58,018
Philippe is a dancer
925
01:30:58,082 --> 01:31:02,984
and for him the body
It's like an instrument.
926
01:31:03,109 --> 01:31:07,734
I am very interested in the way
in which people are transfigured.
927
01:31:07,859 --> 01:31:11,651
Particularly in the way
in which a woman...
928
01:31:12,609 --> 01:31:14,692
transforms to become...
929
01:31:14,859 --> 01:31:18,234
in the fantasy in which
he wants to convert.
930
01:31:18,359 --> 01:31:22,401
Women have the power,
931
01:31:23,984 --> 01:31:26,109
from what nature
has given them,
932
01:31:26,692 --> 01:31:30,526
to use artifices,
tricks and strategies
933
01:31:30,651 --> 01:31:33,901
to transform
into something totally different.
934
01:31:34,026 --> 01:31:37,901
Beauty is not so important,
It's what you do with it.
935
01:31:38,026 --> 01:31:40,097
From 25 years old,
936
01:31:40,129 --> 01:31:45,192
the beauty of a woman is something that she
you need to conquer and build.
937
01:31:45,817 --> 01:31:49,253
My motto is: there are no ugly women,
938
01:31:49,333 --> 01:31:53,589
only women who refuse beauty
because they deny their femininity.
939
01:31:53,701 --> 01:31:55,488
And there are lazy women.
940
01:31:55,553 --> 01:31:59,508
I think any woman
with the right attributes
941
01:31:59,571 --> 01:32:03,654
can go further
than what he had when he was born.
942
01:32:03,716 --> 01:32:07,653
Sometimes there are girls who are
very pretty when they are young
943
01:32:07,705 --> 01:32:09,976
and then they don't age well.
944
01:32:10,078 --> 01:32:15,269
They put all their trust
in the beauty with which they were born
945
01:32:15,318 --> 01:32:19,350
and they make no effort
to preserve it.
946
01:32:19,447 --> 01:32:22,368
They are obsessed with the image
that they had when they were young.
947
01:32:22,464 --> 01:32:25,679
On the other hand, and you can
see this clearly in the crazy,
948
01:32:25,743 --> 01:32:27,866
although here everyone is pretty,
949
01:32:27,946 --> 01:32:31,484
but sometimes I have noticed
that those girls
950
01:32:31,942 --> 01:32:35,026
that objectively
They have a perfect anatomy
951
01:32:35,234 --> 01:32:37,132
are not necessarily
the most beautiful on stage,
952
01:32:37,221 --> 01:32:39,878
because they only trust in beauty.
953
01:32:39,924 --> 01:32:44,765
The beauty they were born with
gives them security,
954
01:32:44,846 --> 01:32:48,309
what makes them
They don't want to go further,
955
01:32:48,373 --> 01:32:51,597
while those that perhaps
They have had complexes,
956
01:32:51,646 --> 01:32:55,212
develop a strategy
and a personality,
957
01:32:55,276 --> 01:32:58,406
that makes them transcend
its disadvantage.
958
01:32:58,454 --> 01:33:02,808
And this makes them more beautiful,
most fascinating and mysterious.
959
01:33:02,984 --> 01:33:04,609
It's desperate,
960
01:33:04,692 --> 01:33:09,026
It gives the impression that all the love
in the world is not enough for them.
961
01:33:18,192 --> 01:33:25,151
...Minus ten, nine, eight,
seven, six, five, four
962
01:33:29,634 --> 01:33:30,734
Ignition.
963
01:35:09,217 --> 01:35:12,526
All Paris is in the Crazy
964
01:35:12,859 --> 01:35:16,359
And Crazy is all Paris
965
01:35:16,776 --> 01:35:19,948
The Sacr�-C�ur...
966
01:35:20,442 --> 01:35:24,567
There is a Sacr�-C�ur
in every crazy girl
967
01:35:24,734 --> 01:35:28,253
You see the girls from Crazy
like soldiers
968
01:35:28,333 --> 01:35:32,109
They are the soldiers of the Erotic Navy
969
01:35:32,317 --> 01:35:35,442
�D-e-s-i-r-e!
970
01:35:35,984 --> 01:35:39,788
The Crazy Girls
They taste like champagne
971
01:35:39,851 --> 01:35:43,359
And the champagne knows
like the girls from Crazy
972
01:35:43,692 --> 01:35:50,102
The champagne flows between the fingers
973
01:35:50,567 --> 01:35:54,302
The Crazy Girls
974
01:35:54,511 --> 01:35:58,112
The Crazy Girls
975
01:35:58,275 --> 01:36:02,371
The Crazy Girls
976
01:36:02,859 --> 01:36:06,862
Horse
977
01:36:10,317 --> 01:36:13,692
All Paris is in the Crazy
978
01:36:14,084 --> 01:36:17,484
And Crazy is all Paris
979
01:36:18,067 --> 01:36:33,067
�D-e-s-i-r-e!
980
01:36:33,401 --> 01:36:38,304
�Crazy!
981
01:36:39,526 --> 01:36:40,817
It's the best shot.
982
01:36:40,984 --> 01:36:42,942
Yes, very good.
Let's do one more.
983
01:38:41,284 --> 01:38:42,555
What are you doing Nahia?
984
01:38:42,620 --> 01:38:43,942
He doesn't understand.
985
01:38:44,067 --> 01:38:47,109
Is it because you're new here?
986
01:38:50,692 --> 01:38:53,401
Are you Spanish or what?
987
01:38:54,117 --> 01:38:56,651
I've been working here for a year!
988
01:38:57,651 --> 01:39:01,151
You're not like Nooka, Zula or Psykko...
989
01:39:01,484 --> 01:39:02,984
Do you want to be "hop"? Thursday?
990
01:39:04,192 --> 01:39:05,359
Put on the dress.
991
01:39:05,567 --> 01:39:06,984
I'm not going to put it there,
992
01:39:07,151 --> 01:39:09,567
I don't have enough space.
993
01:39:09,984 --> 01:39:12,484
Go ahead, they're not here.
994
01:39:14,484 --> 01:39:16,359
You scared me.
995
01:39:27,109 --> 01:39:28,651
Feel the air...
996
01:39:29,317 --> 01:39:30,567
You are very well!
997
01:39:30,942 --> 01:39:33,401
We'll catch a cold.
998
01:39:34,026 --> 01:39:34,817
Closed!
999
01:39:34,901 --> 01:39:37,776
Ready! Let's go! Firm!
1000
01:39:38,192 --> 01:39:39,776
Get started!
1001
01:39:39,942 --> 01:39:42,817
Front view! At your posts!
On the right!
1002
01:39:46,442 --> 01:39:49,651
March... ar!
1003
01:40:36,151 --> 01:40:40,776
And! Get out! Guards!
1004
01:40:47,426 --> 01:40:49,526
Views... to the front!
1005
01:40:50,317 --> 01:40:55,067
Rest!
1006
01:40:55,734 --> 01:40:56,617
Firm!
1007
01:40:57,609 --> 01:40:58,442
Greetings!
1008
01:41:16,026 --> 01:41:16,984
Greetings!
1009
01:41:53,617 --> 01:41:54,624
Down!
1010
01:43:57,151 --> 01:43:59,192
Zoo be zoo be zoo...
1011
01:44:00,609 --> 01:44:06,317
Zoo be zoo be...
It means I love you.
1012
01:44:08,359 --> 01:44:10,567
Zoo be zoo be zoo...
1013
01:44:12,167 --> 01:44:14,359
Zoo be zoo be zoo...
1014
01:44:15,942 --> 01:44:21,734
Zoo be zoo be...
It means I love you.
1015
01:44:23,651 --> 01:44:29,484
Zoo be zoo be...
It means I love you.
1016
01:44:29,976 --> 01:44:31,651
"Zoo be zoo be zoo"
1017
01:44:31,992 --> 01:44:33,718
Is the change now?
1018
01:44:33,798 --> 01:44:36,151
No, no, no. There are no changes.
1019
01:44:36,317 --> 01:44:38,835
It's a slide, there are no changes
in leopards.
1020
01:44:38,899 --> 01:44:42,186
- But in "Infrared"...
- There is none.
1021
01:44:46,401 --> 01:44:50,109
I don't like. Sorry, girls.
1022
01:44:50,984 --> 01:44:52,037
What don't you like?
1023
01:44:52,195 --> 01:44:56,651
I think the choreography suits
too much to music.
1024
01:44:58,134 --> 01:44:59,303
That's not bad.
1025
01:44:59,384 --> 01:45:01,780
This comes from "Jungle".
1026
01:45:01,844 --> 01:45:03,877
Yes, but with a girl behind.
1027
01:45:05,092 --> 01:45:07,775
That comes from "Evolution".
1028
01:45:57,301 --> 01:45:59,217
It's a shame because it's really good.
1029
01:45:59,284 --> 01:46:00,942
And Lumi turns to his left.
1030
01:46:06,401 --> 01:46:08,401
- I love this part.
- It's nice.
1031
01:46:10,467 --> 01:46:11,571
Awesome.
1032
01:46:11,699 --> 01:46:13,966
Yes, it's better with two girls.
1033
01:46:14,984 --> 01:46:19,766
I like the idea of lighting
of "Leopard" in the cage.
1034
01:46:21,527 --> 01:46:24,193
Yes, but it's in the Prelude.
1035
01:46:27,609 --> 01:46:30,067
-The lighting is great!
- Magnificent!
1036
01:46:30,151 --> 01:46:31,609
They are like panthers.
1037
01:46:33,109 --> 01:46:36,942
We can't see the girl
from behind! How bad!
1038
01:46:37,151 --> 01:46:38,442
She is dead.
1039
01:46:38,942 --> 01:46:39,901
came out.
1040
01:46:41,151 --> 01:46:43,026
We should have seen her die!
1041
01:48:00,651 --> 01:48:03,615
I'm going to explain to you...
Do you all speak French?
1042
01:48:04,319 --> 01:48:08,109
I'm going to explain to you
What is the audition going to be like?
1043
01:48:08,442 --> 01:48:11,359
It's very simple, don't stress.
1044
01:48:12,859 --> 01:48:14,392
It really is very simple.
1045
01:48:14,440 --> 01:48:17,843
Each of you will go
on stage with a thong...
1046
01:48:17,906 --> 01:48:19,464
and shoes if you want.
1047
01:48:20,359 --> 01:48:23,454
In our scenario,
with good lighting,
1048
01:48:23,526 --> 01:48:28,151
you will have music and you will improvise
for a minute.
1049
01:48:28,317 --> 01:48:32,567
When you have finished,
you will return here. Okay?
1050
01:48:32,759 --> 01:48:36,892
This audition is
especially to see...
1051
01:48:36,956 --> 01:48:39,299
your proportions
and physical appearance.
1052
01:48:39,338 --> 01:48:44,030
It's not to see your skills
dancing, performing, etc.
1053
01:48:44,095 --> 01:48:48,359
We can all see
who is a dancer or not,
1054
01:48:48,526 --> 01:48:50,758
but it's not worth it
let you warm up for three hours...
1055
01:48:50,821 --> 01:48:53,401
or that you make big steps, etc.
1056
01:48:53,734 --> 01:48:56,859
Make it beautiful, elegant, relaxed...
1057
01:48:56,942 --> 01:48:59,588
And above all, don't stress.
And get your asses out.
1058
01:49:00,672 --> 01:49:01,746
Okay?
1059
01:49:01,809 --> 01:49:04,279
She fainted before the audition!
1060
01:49:04,976 --> 01:49:06,814
The firefighters came!
1061
01:49:07,151 --> 01:49:09,151
- Today?
- Yes, today.
1062
01:49:16,184 --> 01:49:19,086
Can you come watch for a second?
1063
01:49:22,276 --> 01:49:23,442
I don't know.
1064
01:50:01,776 --> 01:50:04,526
Thank you. �You can stay
on stage please?
1065
01:50:04,692 --> 01:50:06,213
Turn off the music.
1066
01:50:06,609 --> 01:50:08,359
Can you take off your shoes?
1067
01:50:14,151 --> 01:50:15,982
Put yourself in the center.
1068
01:50:20,817 --> 01:50:22,691
Can you bring your knees together?
1069
01:50:29,317 --> 01:50:30,913
The same in profile.
1070
01:50:35,526 --> 01:50:36,688
Okay, thank you.
1071
01:50:44,467 --> 01:50:45,621
Following.
1072
01:50:46,467 --> 01:50:47,567
Oh yes!
1073
01:51:06,692 --> 01:51:07,929
Yes, it's fun...
1074
01:51:11,734 --> 01:51:14,317
I saw her waist and that she had no chest
1075
01:51:14,401 --> 01:51:16,142
and I said, wow!
1076
01:52:09,317 --> 01:52:10,276
Ok, enough.
1077
01:52:10,567 --> 01:52:12,109
Thanks Maurizio.
1078
01:52:13,276 --> 01:52:14,567
Thank you.
1079
01:52:21,776 --> 01:52:23,567
We do not hire transsexuals.
1080
01:52:23,651 --> 01:52:25,942
I thought it was charming.
1081
01:52:26,026 --> 01:52:30,006
Cyrille, please, can you open the curtain
and turn off the lights in the room?
1082
01:52:30,442 --> 01:52:34,119
All the dancers on stage,
in line, without shoes.
1083
01:52:39,776 --> 01:52:41,636
What a beautiful line.
1084
01:52:49,401 --> 01:52:52,567
Sorry girls,
you have to stay like this...
1085
01:52:52,692 --> 01:52:54,785
because we have to compare
heights and etc.
1086
01:52:54,848 --> 01:52:57,482
I know you can feel stupid,
but...
1087
01:52:59,984 --> 01:53:01,269
So...
1088
01:53:01,333 --> 01:53:03,984
- The third.
- The fourth.
1089
01:53:04,609 --> 01:53:07,240
I don't know, I don't know... that one.
1090
01:53:07,255 --> 01:53:10,984
The fifth, the one with the blue thong.
1091
01:53:11,109 --> 01:53:12,734
And that one.
1092
01:53:13,526 --> 01:53:15,692
Make them take a step forward.
1093
01:53:17,067 --> 01:53:20,605
Girls, I don't remember your names
and I have them all mixed up.
1094
01:53:20,785 --> 01:53:26,756
So, we count from
from the control cabin...
1095
01:53:27,259 --> 01:53:28,445
Yes, there.
1096
01:53:28,734 --> 01:53:30,055
The second.
1097
01:53:31,259 --> 01:53:32,575
The fourth.
1098
01:53:34,692 --> 01:53:36,024
The fifth.
1099
01:53:40,026 --> 01:53:41,551
What is it called?
1100
01:53:41,676 --> 01:53:44,490
Olivia. I remembered one.
1101
01:53:45,442 --> 01:53:46,715
The next one.
1102
01:53:47,067 --> 01:53:48,863
Melissa, go ahead.
1103
01:53:48,928 --> 01:53:50,634
And the last one, Tatiana.
1104
01:53:51,526 --> 01:53:52,720
We have six.
1105
01:53:53,359 --> 01:53:56,185
Don't you want to keep the Italian style?
1106
01:53:57,359 --> 01:53:59,359
Is she the one with a nice butt?
1107
01:53:59,526 --> 01:54:00,734
Beautiful.
1108
01:54:04,026 --> 01:54:05,526
Until the rehearsal?
1109
01:54:06,817 --> 01:54:09,088
The one who dreams of joining Crazy?
1110
01:54:10,026 --> 01:54:11,609
I don't like.
1111
01:54:13,134 --> 01:54:15,526
- The Italian one?
- Yes, that one.
1112
01:54:16,109 --> 01:54:18,859
The ones in front
they can stay,
1113
01:54:18,984 --> 01:54:22,266
The others can go to the dressing room,
I will go right away.
1114
01:54:22,676 --> 01:54:24,232
Get together.
1115
01:54:29,859 --> 01:54:32,496
Olivia, you are small,
but it doesn't matter.
1116
01:54:36,942 --> 01:54:40,210
Small is cute.
It is not pejorative.
1117
01:54:45,567 --> 01:54:48,609
The second one looks like Kate Moss.
1118
01:54:50,526 --> 01:54:51,387
It's true.
1119
01:54:51,435 --> 01:54:52,877
He has short legs.
1120
01:54:53,067 --> 01:54:54,357
Yes, but it's not important.
1121
01:54:54,776 --> 01:54:56,852
"You can turn around,
please?
1122
01:54:57,509 --> 01:55:00,817
And get your butts out.
1123
01:55:01,567 --> 01:55:03,817
Backwards, warp,
bad, that is.
1124
01:55:03,942 --> 01:55:04,734
More.
1125
01:55:05,117 --> 01:55:06,692
- More?
- Yes.
1126
01:55:06,984 --> 01:55:08,817
How many Russians are there?
1127
01:55:09,317 --> 01:55:11,026
They are the best.
1128
01:55:11,717 --> 01:55:14,359
Those two are the best, right?
1129
01:55:14,467 --> 01:55:16,037
They have a space between their thighs.
1130
01:55:16,164 --> 01:55:17,966
Yes, but it doesn't matter.
1131
01:55:20,151 --> 01:55:21,780
The same in profile.
1132
01:55:23,776 --> 01:55:25,567
That's beautiful.
1133
01:55:26,276 --> 01:55:28,582
Very cute. And it has character.
1134
01:55:28,634 --> 01:55:32,022
Thanks girls, go to the dressing room,
I see you now.
1135
01:55:37,317 --> 01:55:38,493
It wasn't bad!
1136
01:55:46,817 --> 01:55:52,389
It is a kind of apotheosis of beauty
in its different formats.
1137
01:55:53,067 --> 01:55:58,126
For us it is a great pleasure
work here...
1138
01:55:58,251 --> 01:56:01,267
Sometimes when I'm in rehearsal,
I say to myself:
1139
01:56:01,484 --> 01:56:04,917
"I'm not just attending
to a real test,
1140
01:56:05,042 --> 01:56:07,401
but also
"We're directing it."
1141
01:56:07,567 --> 01:56:11,151
And I have to pinch myself to
make sure I belong...
1142
01:56:12,151 --> 01:56:16,484
to this place of refinement,
of beauty and desire.
1143
01:56:16,651 --> 01:56:19,609
- I don't know if I have answered the question.
- Yes, perfectly.
1144
01:56:20,234 --> 01:56:24,026
And now, in English,
with the same eloquence.
1145
01:56:24,817 --> 01:56:27,901
Well, it's very difficult...
1146
01:56:28,192 --> 01:56:30,108
How do you say "r�sumer", to summarize?
1147
01:56:31,587 --> 01:56:34,717
It is very difficult to summarize
the Crazy Horse show,
1148
01:56:34,842 --> 01:56:37,901
because it really is different...
1149
01:56:38,026 --> 01:56:40,567
on the side of women and eroticism,
1150
01:56:40,651 --> 01:56:43,317
initially defined by Bernardin.
1151
01:56:43,401 --> 01:56:48,984
So, it's not like a...
"total history",
1152
01:56:49,067 --> 01:56:52,401
It's more of a portion
of desire that you receive,
1153
01:56:52,526 --> 01:56:55,401
but the thing is that I always...
1154
01:56:55,526 --> 01:56:57,234
When I first saw the Crazy Horse,
1155
01:56:57,317 --> 01:56:59,067
It was for me one of the things
more beautiful,
1156
01:56:59,234 --> 01:57:01,734
more exciting,
that I have seen in my life.
1157
01:57:01,859 --> 01:57:04,609
And I have always thought
that everyone...
1158
01:57:04,734 --> 01:57:07,901
Like the French government, which should
force everyone to come...
1159
01:57:08,067 --> 01:57:09,734
and see the Crazy Horse once in your life,
1160
01:57:09,901 --> 01:57:11,901
to understand how a woman can...
1161
01:57:11,984 --> 01:57:15,067
how the... what level of beauty
can reach a woman,
1162
01:57:15,192 --> 01:57:16,567
how powerful it can be,
1163
01:57:16,651 --> 01:57:19,442
and how it is much more
that I only wish,
1164
01:57:19,567 --> 01:57:23,401
it's about emotions
that go beyond your mind,
1165
01:57:23,484 --> 01:57:26,234
that touch your unconscious
and they run through your veins.
1166
01:57:26,317 --> 01:57:27,609
I have goosebumps.
1167
01:57:27,692 --> 01:57:29,026
I have brought friends here,
1168
01:57:29,109 --> 01:57:31,067
who had a preconceived idea
of the Crazy Horse,
1169
01:57:31,192 --> 01:57:34,151
they thought it was a magazine
for japanese tourists,
1170
01:57:34,276 --> 01:57:35,442
who came here, and...
1171
01:57:35,567 --> 01:57:39,276
people of art, great actresses,
great directors,
1172
01:57:39,442 --> 01:57:41,734
who lived here
and that they were fascinated.
1173
01:57:41,859 --> 01:57:43,317
And I have friends who come here
1174
01:57:43,442 --> 01:57:45,776
and they cry when they see
such level of beauty.
1175
01:57:45,942 --> 01:57:49,401
And for us to be able
work in this place...
1176
01:57:49,526 --> 01:57:51,151
and sometimes realizing that...
1177
01:57:51,276 --> 01:57:54,192
We are at this very high level of...
1178
01:57:54,526 --> 01:57:57,817
beauty and femininity than ever
could be reached,
1179
01:57:57,901 --> 01:57:59,426
and that we are indeed part of this,
1180
01:57:59,492 --> 01:58:01,551
It's something really exciting...
1181
01:58:01,634 --> 01:58:04,442
and we have to pinch ourselves
to realize that it is real.
1182
01:58:04,509 --> 01:58:09,651
So no... we can't
reduce the Crazy Horse to three jobs,
1183
01:58:09,734 --> 01:58:12,609
It really is something that is
beyond anyone...
1184
01:58:12,734 --> 01:58:16,359
I rarely see something... feel something...
1185
01:58:16,526 --> 01:58:20,359
You don't have the same impact
When you see "Shanghai Express",
1186
01:58:20,426 --> 01:58:23,484
or a Fellini film
or Fassbinder,
1187
01:58:23,609 --> 01:58:26,192
or Michael Powell, who inspired us
for the show...
1188
01:58:26,317 --> 01:58:30,317
yes, when you are in front
of those works of art,
1189
01:58:30,342 --> 01:58:31,792
you can have this emotion.
1190
01:58:31,858 --> 01:58:34,692
And I felt something similar
with Crazy Horse.
1191
01:59:03,692 --> 01:59:07,131
I'm going to drown in your eyes.
Can I?
1192
01:59:07,467 --> 01:59:10,594
Drowning in your eyes is happiness.
1193
01:59:11,267 --> 01:59:13,007
He will come and say:
1194
01:59:13,087 --> 01:59:16,571
I love you so much.
1195
01:59:16,819 --> 01:59:17,911
�Can I?
1196
01:59:18,092 --> 01:59:22,234
No, it is not easy to love.
It's difficult, very difficult.
1197
01:59:22,359 --> 01:59:24,942
I will go near a cliff.
1198
01:59:25,067 --> 01:59:27,317
Will you catch me in time?
1199
01:59:27,717 --> 01:59:30,931
If I leave, will you write to me?
1200
01:59:31,009 --> 01:59:34,205
I can't be without you.
I want to be with you.
1201
01:59:34,284 --> 01:59:37,859
Not for a minute, not for a month.
Forever.
1202
01:59:38,026 --> 01:59:40,692
All my life, do you understand?
1203
01:59:41,067 --> 01:59:43,234
I'm afraid of your answer.
1204
01:59:43,401 --> 01:59:46,317
Answer me,
But don't say a word.
1205
01:59:46,734 --> 01:59:48,401
Answer me with your eyes.
1206
01:59:48,901 --> 01:59:49,996
Do you love me?
1207
01:59:50,317 --> 01:59:52,276
If you do, I promise...
1208
01:59:52,401 --> 01:59:55,667
that you will be happy with me
forever.
1209
01:59:55,734 --> 01:59:58,651
If not, then I beg you,
1210
01:59:58,776 --> 02:00:01,609
don't look at me, don't kill me.
1211
02:00:01,776 --> 02:00:05,151
If you want to love another, do it.
1212
02:00:05,276 --> 02:00:07,817
But remember me just a little.
1213
02:00:09,876 --> 02:00:12,942
I will continue to love you.
�Okay?
1214
02:00:13,109 --> 02:00:15,901
Whether you like it or not, I love you...
1215
02:00:16,067 --> 02:00:19,234
and it will always be there for you...
1216
02:00:19,317 --> 02:00:21,859
when you need me.
1217
02:06:17,109 --> 02:06:18,651
Crazy...
1218
02:06:26,484 --> 02:06:28,067
Crazy...
1219
02:06:30,526 --> 02:06:32,029
Paris...
1220
02:06:39,001 --> 02:06:42,126
All Paris is in the Crazy
1221
02:06:42,501 --> 02:06:45,901
And Crazy is all Paris
1222
02:06:46,234 --> 02:06:49,817
The Eiffel Tower...
1223
02:06:50,101 --> 02:06:53,984
The Eiffel Tower lights up
like the girls from Crazy
1224
02:06:54,276 --> 02:06:57,501
Crazy is all Paris
1225
02:06:57,751 --> 02:07:01,251
All Paris is in the Crazy
1226
02:07:01,526 --> 02:07:04,903
�What is your name?
1227
02:07:05,626 --> 02:07:09,010
�D-e-s-i-r-e!
1228
02:07:09,526 --> 02:07:13,151
You will dream about Crazy naked in your bed
1229
02:07:13,234 --> 02:07:16,984
All the Crazy girls
they will take care of you
1230
02:07:17,109 --> 02:07:20,459
�D-e-s-i-r-e!
1231
02:07:20,942 --> 02:07:24,584
The Crazy Girls
They taste like champagne
1232
02:07:24,692 --> 02:07:28,417
And the champagne knows
like the girls from Crazy
1233
02:07:28,584 --> 02:07:34,859
The champagne flows between the fingers
1234
02:07:35,626 --> 02:07:39,148
The Crazy Girls
1235
02:07:39,487 --> 02:07:43,139
The Crazy Girls
1236
02:07:43,347 --> 02:07:47,060
The Crazy Girls
1237
02:07:55,301 --> 02:07:58,817
All Paris is in the Crazy
1238
02:07:59,042 --> 02:08:02,567
And Crazy is all Paris
1239
02:08:02,776 --> 02:08:06,317
The Sacr�-C�ur...
1240
02:08:06,584 --> 02:08:10,701
There is a Sacr�-C�ur
in every crazy girl
1241
02:08:10,726 --> 02:08:14,376
You see the girls from Crazy
like soldiers
1242
02:08:14,501 --> 02:08:18,167
They are the soldiers of the Erotic Navy
1243
02:08:18,392 --> 02:08:22,067
D-e-s-i-r-e!
1244
02:08:22,151 --> 02:08:25,651
The Crazy Girls
They taste like champagne
1245
02:08:25,817 --> 02:08:29,584
And the champagne knows
like the girls from Crazy
1246
02:08:29,751 --> 02:08:36,109
The champagne flows between the fingers
1247
02:08:36,859 --> 02:08:40,408
The Crazy Girls
1248
02:08:40,688 --> 02:08:44,379
The Crazy Girls
1249
02:08:44,558 --> 02:08:48,509
The Crazy Girls
1250
02:08:48,905 --> 02:08:52,853
Horse
1251
02:08:56,584 --> 02:08:59,867
All Paris is in the Crazy
1252
02:09:00,192 --> 02:09:03,809
And Crazy is all Paris
1253
02:09:04,184 --> 02:09:07,784
�D-e-s-i-r-e!
1254
02:09:08,192 --> 02:09:11,484
�D-e-s-i-r-e!
1255
02:09:11,859 --> 02:09:15,151
�D-e-s-i-r-e!
1256
02:09:15,851 --> 02:09:19,151
�D-e-s-i-r-e!
1257
02:09:19,734 --> 02:09:23,942
�Crazy!